Architects should be educated, skillful with the pencil, instructed in geometry, know much history, have followed the philosophers with attention, understand music, have some knowledge of medicine, know the opinions of the jurists, and be acquainted with astronomy and the theory of the heavens
Architect's designs must refer to the unquestionable perfection of the body's symmetry and proportions. If a building is to create a sense of eurythmia, it is essential that it mirrors these natural laws of harmony and beauty
Architecture depends on Order, Arrangement, Eurythmy, Symmetry , Propriety , and Economy.
Beauty is produced by the pleasing appearance and good taste of the whole, and by the dimensions of all the parts being duly proportioned to each other.
A harmonious design requires that nothing be added or taken away.
The architect must not only understand drawing, but music.
Architecture is a science arising out of many other sciences, and adorned with much and varied learning; by the help of which a judgment is formed of those works which are the result of other arts.
In fact, all kinds of men, and not merely architects, can recognize a good piece of work.
Now architecture consists of order, which in Greek is called taxis ... Order is the balanced adjustment of the details of the work separately, and, as to the whole, the arrangement of the proportion with a view to a symmetrical result.
Proportion is that agreeable harmony between the several parts of a building, which is the result of a just and regular agreement of them with each other; the height to the width, this to the length, and each of these to the whole.
Geometry is of much assistance in architecture, and in particular it teaches us the use of the rule and compasses, by which especially we acquire readiness in making plans for buildings in their grounds, and rightly apply the square, the level, and the plummet. By means of optics the light in buildings can be drawn from fixed quarters of the sky. Difficult questions involving symmetry are solved by means of geometrical theories and methods.
Nothing requires the architect's care more than the due proportions of buildings.
If our designs for private houses are to be correct, we must at the outset take note of the countries and climates in which they are built.
The [engineer] should be equipped with knowledge of many branches of study and varied kinds of learning, for it is by his judgement that all work done by the other arts is put to test. This knowledge is the child of practice and theory.
It is no secret that the moon has no light of her own, but is, as it were, a mirror, receiving brightness from the influence of the sun.
When the juices of trees have no means of escape, they clot and rot in them, making the trees hollow and good for nothing.
An architect ought to be an educated man so as to leave a more lasting remembrance in his treatises.
Water from clay pipes is much more wholesome than that which is conducted through lead pipes, because lead is found to be harmful for the reason that white lead is derived from it, and this is said to be hurtful to the human system.
Consistency is found in that work whose whole and detail are suitable to the occasion. It arises from circumstance, custom, and nature.
The design of a temple depends on symmetry, the principles of which must be most carefully observed by the architect.
For not all things are practicable on identical principles
All machinery is derived from nature, and is founded on the teaching and instruction of the revolution of the firmament.
A liberal education forms a single body. Those, therefore, who from tender years receive instruction in the various forms of learning, recognize the same stamp on all the arts, and an intercourse between all studies, and so they more readily comprehend them all.
For we must not build temples according to the same rules to all gods alike, since the performance of the sacred rites varies with the various gods.
If then, at this great distance, our human vision can discern that sight, why, pray, are we to think that the divine splendor of the stars can be cast into darkness?
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