The older I get the more I realize there's no real good guys or real bad guys, and I'm curious about how the good guys got good and how the bad guys got bad.
I tried to stick to my game plan, which was always being aware of what my A story was - the love story between a father and his son, and that son and his daughter.
You know, I think everything I do cinematically for the rest of my life will probably have some direct route back to Jonathan. But I love him to death. He's like my best friend and my big brother.
But my humble opinion is, I'm not quite sure where I stand on the legalization of drugs - though, if tequila is legal, pot should probably be legal.
I'm at Miramax now, where I've actually been treated like a Prince.
The thing that's great about those guys at Miramax is the Weinstein brothers. They are the two funniest guys I've ever met in my life.
I was influenced by European movies, old Fellini, old Kurosawa - any sort of foreign film.
What I think happens today is that a lot of filmmakers look at other films that are retro pieces, like L.A. Confidential, and say, oh, that's period. We didn't want to do the stereotypical stuff.
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