If watching is all you're going to do, then you're going to watch your life go by without you.
I always like to look on the optimistic side of life, but I am realistic enough to know that life is a complex matter. With the laugh comes the tears and in developing motion pictures or television shows, you must combine all the facts of life - drama, pathos and humor.
Do not be fooled by its commonplace appearance. Like so many things, it is not what outside, but what is inside that counts.
The greatest moments in life are not concerned with selfish achievements, but rather with the things we do for others
I don't think there's a thing I own that I will ever get the benefit of except through doing things with it.
It feels good when it helps to get a good seat for a football game. But it never helped me make a good film or a good shot in a polo game, or command the obedience of my daughter. It doesn
You can't just let nature run wild.
Around here, however, we don't look backwards for very long.
Nearly everybody gets twitterpated in the springtime. [. . . ] You begin to get weak in the knees. Your head's in a whirl. And then you feel light as a feather, and before you know it, you're walking on air. And then you know what? You're knocked for a loop, and you completely lose your head!
The era we are living in today is a dream of coming true.
In our animation we must show only the actions and reactions of a character, but we must picture also with the action. . . the feeling of those characters.
Everything that matters to we can work out as expected, in the event that we have the strength to seek after them.
I don't have depressed moods. I'm happy, just very, very happy.
I believe in being an innovator.
We have created characters and animated them in the dimension of depth, revealing through them to our perturbed world that the things we have in common far outnumber and outweigh those that divide us.
I can never stand still. I must explore and experiment.
It's something that will never be finished. Something that I can keep developing...and adding to.
The fun is in always building something. After it's built, you play with it awhile and then you're through. You see, we never do the same thing twice around here. We're always opening up new doors.
The story man must see clearly in his own mind how every piece of business will be put over. He should feel every expression, every reaction. He get far enough from his story to take a second look at it... to see whether there is any dead phase... to see whether the personalities are going to be interesting and appealing to the audience. He should also try to see that the things that his characters are doing are of an interesting nature.
No one person can take credit for the success of a motion picture. It's strictly a team effort. From the time the story is written to the time the final release print comes off the printer, hundreds of people are involved - each one doing a job - each job contributing to the final product.
Those who are clever, who have a brain, never understand anything.
I don't like formal gardens. I like wild nature. It's just the wilderness instinct in me, I guess.
No matter what the provocation, I never fire a man who is honestly trying to deliver a job. Few workers who become established at the Disney Studio ever leave voluntarily or otherwise, and many have been on the payroll all their working lives.
Disneyland is not just another amusement park. It's unique, and I want it kept that way. Besides, you don't work for a dollar - you work to create and have fun.
its fun to do the unexpected.
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