Everything's a business. Love, truth, beauty. Conversation is a business. Spirituality is not a business, so it's going to go against the grain of people who are trying to exploit other people.
I'm gonna spare the defeated. I'm gonna tame the proud.
Most songs have bridges in them, to distract listeners from the main verses of a song so they don't get bored. My songs don't have a lot of bridges because lyric poetry never had them.
Once you think you know the song, then you have go and see how other people have done it.
Can you please crawl out your window? Use your arms and your legs, it won't ruin you
Old New York City is a friendly old town From Washington Heights to Harlem on down There's a-mighty many people all millin' all around They'll kick you when you're up and knock you when you're down It's hard times in the city Livin' down in New York town
The times are a-changing and if we don't we will sink like a stone.
People are going to say, ‘Well, it’s not very truthful.’ But a songwriter doesn’t care about what’s truthful. What he cares about is what should’ve happened, what could’ve happened. That’s its own kind of truth. It’s like people who read Shakespeare plays, but they never see a Shakespeare play. I think they just use his name.
What good are fans? You can't eat applause for breakfast. You can't sleep with it.
You got men who can't hold peace and women who can't control their tongues. The rich seduce the poor, and the old seduce the young.
You travel the world, you go see different things. I like to see Shakespeare plays, so I'll go - I mean, even if it's in a different language. I don't care, I just like Shakespeare, you know. I've seen Othello and Hamlet and Merchant of Venice over the years, and some versions are better than others. Way better. It's like hearing a bad version of a song. But then somewhere else, somebody has a great version.
People do whatever they want to do, y'know.
The "joker" here ["All Along the Watchtower" ] is the older [Bob] Dylan himself, whining about exploitation, and the thief's rejoinder re-contextualizes the earlier critique into the religious frames that would become more prominent as time went on.
...how many times must the cannon balls fly Before they're forever banned?
I'd been going though his trash. He knocked me down. I was glad to see him, even though he was banging my head against the sidewalk. Afterwards these bums come over and say, 'Did he get much money?' I say, 'Money'? That was Bob Dylan.
Get jailed, jump bail, join the Army if you fail.
An artist has got to be constantly in a state of becoming.
If you can't lend a hand, then get out of the way.
And I'll know my song well before I start singing
Well the book of Leviticus and Deuteronomy, the law of the jungle and the sea are your only teachers.
Well, the moral of the story, The moral of this song, Is simply that one should never be Where one does not belong. So when you see your neighbor carryin' somethin', Help him with his load, And don't go mistaking Paradise For that home across the road.
Well, my daddy, he didn't leave me much, you know he was a very simple man, but what he did tell me was this, he did say, son, he said, he say, you know it's possible to become so defiled in this world that your own father and mother will abandon you and if that happens, God will always believe in your ability to mend your ways.
Maybe someday you will understand, that something for nothing is everybody's plan.
Everything in New Orleans is a good idea.
The executioner's face is always well hidden.
"America was founded on the backs of slaves."
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