Morandi gave an intimate view of his deepest thoughts. We watched him inquiring after the devilish questions of essences and substances.
The figures... are not supposed to reveal anything... It's like seeing a stranger in some place like an air terminal for the first time. You look at him, you notice his shoes, his suit, the pin in his lapel, but you don't have any particular feeling about him.
The most important thing is that the work has to be solid [in terms of its formal structure] and that the work accomplishes what it strives to achieve. It has to be genuine - not mannered or stylistically driven.
I'm a believer in the notion that artists who do good work believe in the ideas of extremes.
Art is one of the dirtiest words in our language; it's mucked up with all kinds of meanings. There's the art of plumbing; there's the art of almost anything that you can say.
The Gold Rush and the Pony Express made Sacramento a substantial place in terms of enterprise.
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