T. S. Eliot Quotes - Page 18

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That is not it at all, That is not what I meant, at all.

T. S. Eliot

T.S. Eliot (2010). “The Waste Land and Other Poems”, p.9, Faber & Faber

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Because these wings are no longer wings to fly But merely vans to beat the air The air which is now thoroughly small and dry Smaller and dryer than the will Teach us to care and not to care Teach us to sit still

T. S. Eliot

Air, Wings, Dry

"Ash-Wednesday" l. 34 (1930)

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And went on in sunlight, into the Hofgarten, And drank coffee, and talked for an hour.

T. S. Eliot

Coffee, Hours, Sunlight

T. S. Eliot (2014). “The Waste Land and Other Poems”, p.35, Houghton Mifflin Harcourt

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In the room the women come and go talking of Michelangelo.

T. S. Eliot

Women, Talking, Culture

"The Love Song of J. Alfred Prufrock" l. 13 (1917)

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It is self-evident that St. Louis affected me more deeply than any other environment has ever done. I feel that there is something in having passed one's childhood beside the big river, which is incommunicable to those people who have not. I consider myself fortunate to have been born here, rather than in Boston, or New York, or London.

T. S. Eliot

New York, Self, Boston

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Before a cat will condescend to treat you as a trusted friend, some little token of esteem is needed, like a dish of cream.

T. S. Eliot

Cat, Animal, Humanity

T.S. Eliot (2015). “The Poems of T. S. Eliot Volume II: Practical Cats and Further Verses”, p.33, Faber & Faber

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From a purely external point of view there is no will; and to find will in any phenomenon requires a certain empathy; we observe aman's actions and place ourselves partly but not wholly in his position; or we act, and place ourselves partly in the position of an outsider.

T. S. Eliot

Views, Empathy, Outsiders

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Human kind cannot bear much reality.

T. S. Eliot

Reality, Humanity, Bears

"In Light of India". Book by Octavio Paz, Chapter 1, www.nytimes.com. 1995.

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The only wisdom we can hope to acquire Is the wisdom of humility: humility is endless. The houses are all gone under the sea. The dancers are all gone under the hill.

T. S. Eliot

Humility, Sea, House

1940 Four Quartets,'East Coker', pt.2.

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No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists. You cannot value him alone; you must set him, for contrast and comparison, among the dead.

T. S. Eliot

Appreciation, Art, Poet

T. S. Eliot (2014). “Selected Essays”, p.13, Houghton Mifflin Harcourt

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To arrive where you are, to get from where you are not, You must go by a way wherein there is no ecstasy. In order to arrive at what you do not know You must go by a way which is the way of ignorance. In order to possess what you do not possess You must go by the way of dispossession. In order to arrive at what you are not You must go through the way in which you are not. And what you do not know is the only thing you know And what you own is what you do not own And where you are is where you are not.

T. S. Eliot

Ignorance, Order, Way

Four Quartets "East Coker" pt. 3 (1940)

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The purpose of a Christian education would not be merely to make men and women pious Christians: a system which aimed too rigidly at this end alone would become only obscurantist. A Christian education must primarily teach people to be able to think in Christian categories.

T. S. Eliot

Graduation, Christian, Men

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Where there is no temple there shall be no homes.

T. S. Eliot

Home, Temples

T. S. Eliot (2014). “Complete Poems and Plays, 1909-1950”, p.112, Houghton Mifflin Harcourt

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Gradually we come to admit that Shakespeare understands a greater extent and variety of human life than Dante; but that Dante understands deeper degrees of degradation and higher degrees of exaltation.

T. S. Eliot

Exaltation, Degrees, Degradation

T.S. Eliot (1950). “Selected Essays”

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and now you live dispersed on ribbon roads, And no man knows or cares who is his neighbor Unless his neighbor makes too much disturbance, But all dash to and fro in motor cars, Familiar with the roads and settled nowhere.

T. S. Eliot

Men, Car, Ribbons

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I am moved by fancies that are curled, around these images and cling, the notion of some infinitely gentle, infinitely suffering thing.

T. S. Eliot

Suffering, Fancy, Gentle

"Preludes" l. 48 (1917)

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And they write innumerable books; being too vain and distracted for silence: seeking every one after his own elevation, and dodging his emptiness.

T. S. Eliot

Book, Writing, Silence

T. S. Eliot (2014). “The Rock: A Pageant Play”, p.40, Houghton Mifflin Harcourt

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All art emulates the condition of ritual. That is what it comes from and to that it must always return for nourishment.

T. S. Eliot

Art, Poetry, Return

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There is not a more repulsive spectacle than on old man who will not forsake the world, which has already forsaken him.

T. S. Eliot

Men, Age, World

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It is a test (a positive test, I do not assert that it is always valid negatively), that genuine poetry can communicate before it is understood.

T. S. Eliot

Poetry, Tests, Genuine

T. S. Eliot (2014). “Selected Essays”, p.209, Houghton Mifflin Harcourt

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I shall not want Honor in Heaven For I shall meet Sir Philip Sidney And have talk with Coriolanus And other heroes of that kidney.

T. S. Eliot

Hero, Heaven, Honor

T. S. Eliot (2012). “The Waste Land, Prufrock and Other Poems”, p.30, Courier Corporation

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Redeem the time. Redeem the unread vision of a higher dream.

T. S. Eliot

Dream, Vision, Higher

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This is one moment, / But know that another / Shall pierce you with a sudden painful joy.

T. S. Eliot

Joy, Painful, Moments

T. S. Eliot (2014). “The Complete Plays of T. S. Eliot”, p.44, Houghton Mifflin Harcourt

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A good poet will usually borrow from authors remote in time, or alien in language, or diverse in interest.

T. S. Eliot

Artist, Immature, Aliens

T. S. Eliot (1998). “The Sacred Wood and Major Early Essays”, p.72, Courier Corporation

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Not only every great poet, but every genuine, but lesser poet, fulfils once for all some possibility of language, and so leaves one possibility less for his successors.

T. S. Eliot

Poetry, Literature, Language

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Born: September 26, 1888
Died: January 4, 1965
Occupation: Playwright
Cite this Page: Citation

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