[F]or women, like tradesmen, draw in the injudicious to buy their goods by the high value they themselves set upon them.... They endeavor strongly to fix in the minds of their enamoratos their own high value, and then contrive as much as possible to make them believe that they have so many purchasers at hand that the goods--if they do not make haste--will all be gone.
If modesty and candor are necessary to an author in his judgment of his own works, no less are they in his reader.
I was amongst the virtues like the great Turk in his seraglio of women, and I chose to dwell with that virtue which looked the fairest in my eyes and gave me at that season most pleasure. In short, I made wives of them: I first admired them, then made them my own property, and if they would not submit to my will, I again turned them off and divorced them.
Their virtues lived in their children. The family changed its persons but not its manners, and they continued a blessing to the world from generation to generation.
I endeavor not to conceal that I believe there is a great mixture of desire in the passion which is called love--or rather, without any far-fetched strain on words, it may be called the companion of love.
[T]he judicious reader ought to know what the chief character in any work of the imagination will naturally perform, according to the situation he is thrown into, as well as doth the author himself.
What I mean by love ... is this. A sympathetic liking--excited by fancy, directed by judgment--and to which is joined also a most sincere desire of the good and happiness of its object.
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