I would certainly say that films like Time Code and the Loss of Sexual Innocence were far more rewarding to me in terms of being able to move forward as a filmmaker.
I've held onto little musical sketches that I thought could be useful, and the more time that I spend doing them for each film, then the more I have to draw on.
One of the things I love about cinema is the range.
There's nothing I've done which I'm ashamed of or I thought was actually bad.
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