One might not think of light as a matter of fact, but I do. And it is, as I said, as plain and open and direct an art as you will ever find.
I like my use of light to be openly situational in the sense that there is no invitation to meditate, to contemplate.
A piece of wall can be visually disintegrated from the whole into a separate triangle by plunging a diagonal of light from edge to edge on the wall; that is, side to floor, for instance.
My icons do not raise up the blessed savior in elaborate cathedrals. They are constructed concentrations celebrating barren rooms. They bring a limited light.
It is what it is, and it ain't nothin' else... Everything is clearly, openly, plainly delivered.
Electric light is just another instrument. I have no desire to contrive fantasies mediumistically or sociologically over it or beyond it.
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