I see how 14-year old girls react to me and I think I'm a good role model. Rockstar maybe not, but I'm willing to play with it for a little while, until my hair gets gray.
I like the idea that you would participate in mainstream culture, especially for young girls and young kids who are looking for an alternative. It's not that I'm superior, but I know that my heart is in it more than people who get into music for other reasons.
We don't have T-shirts with my face, but there I can see the beginnings, especially young girls seeing me as sort of a icon in that way. And in that regard I'm more than happy to step in.
The complete self-absorption, and childish indulgence and disregard, and having to feel as though everything you're doing is so people can live vicariously through you, so you have to pursue more and more unpleasant pastimes in order to satisfy the armchair people. That's a kind of scary existence.
I think more like Charlie Chaplin than like Jennifer Anniston.
[When I happen to] read interviews where people are such pros and they come out looking so good, [it comes off as] a little smug or something.
This is the thing I've noticed is that the greater the distance between you and any ordinary task is the measurement of how much rockstar potential you have.
Generally I try to read anything but indie rock journalism or anything about music at all, especially in the summer.
I like the idea of interviews where you just talk about stuff instead of where it's my chance to talk to my public through something else.
In my imaginary utopian world there would be a greater allegiance between music writers and musicians.
You feel like you're trying to show off your cool by mentioning the five bands that you know are great and the five books that will reflect well on you. I can't do it. I should take the time to but I don't want to take the time to do that.
Of course there are influences, of course there are things that are inspiring, but it's weird to think that I'm trying to keep a mental inventory of them and report them clearly to whomever might ask.
The things that I've seen where people are trying to change the definition of what a band has to be, those are the things that end up being inspiring.
You don't want to be conscious of everything.
There are lots of people in the world whose existence doesn't revolve around American culture.
In Canada there's an extensive grant system that really allows people to make their work without having to suffer that much, and I'm staring to come around on that, that maybe people don't have to suffer. Maybe you can just not be unhappy and make beautiful music in Canada, maybe that's ok.
I have an identity crisis which is not resolved because I'm a dual citizen. My whole family is American, and I was born in India but I was raised in Canada.
I always felt like I had to leave Canada, which I think is a common perspective - feeling as if you have to leave because otherwise you'll be too soft, and that objective reality exists in America. And I'm starting to feel like that doesn't have to be the case.
I think if I were living in a utopian world, then it wouldn't be political commentary; it would be about daffodils.
I think a sexual energy is a positive energy.
That's the main work that I've done in my life - really wanting to get past that gender trap where there's a certain nudity in poetry. It's not about showing my soul, it's about observations.
It's not my fault that people are perverts.
I'm a chick for sure.
Certain audiences get the double meaning and some of the references and ironies, but there's definitely been shows where I feel like I'm not doing it well enough for it to come across as anything other than "oh, she's hot and she's dancing."
I try not to focus on the gender issue too much but I think you have to acknowledge it in order for it to go away.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: