As long as learning is connected with earning, as long as certain jobs can only be reached through exams, so long must we take the examination system seriously. If another ladder to employment was contrived, much so-called education would disappear, and no one be a penny the stupider.
The idea that nations should love one another, or that business concerns or marketing boards should love one another, or that a man in Portugal should love a man in Peru of whom he has never heard -it is absurd, unreal, dangerous. The fact is we can only love what we know personally. And we cannot know much.
A novelist can shift view-point if it comes off. ... Indeed, this power to expand and contract perception (of which the shifting view-point is a symptom), this right to intermittent knowledge - I find one of the great advantages of the novel-form ... this intermittence lends in the long run variety and colour to the experiences we receive.
This element of surprise or mystery — the detective element as it is sometimes rather emptily called — is of great importance in a plot. It occurs through a suspension of the time-sequence; a mystery is a pocket in time, and it occurs crudely, as in "Why did the queen die?" and more subtly in half-explained gestures and words, the true meaning of which only dawns pages ahead. Mystery is essential to a plot, and cannot be appreciated without intelligence.
In the creative state a man is taken out of himself. He lets down as it were a bucket into his subconscious, and draws up something which is normally beyond his reach. He mixes this thing with his normal experiences and out of the mixture he makes a work of art.
'Oh, poor, poor fellow!' said Mrs. Elliot with a remorse that was sincere, though her congratulations would not have been.
I do not believe in Belief.
Our easiest approach to a definition of any aspect of fiction is always by considering the sort of demand it makes on the reader. Curiosity for the story, human feelings and a sense of value for the characters, intelligence and memory for the plot. What does fantasy ask of us? It asks us to pay something extra.
I have said that each aspect of the novel demands a different quality of the reader. Well, the prophetic aspect demands two qualities: humility and the suspension of the sense of humour.
The most successful career must show a waste of strength that might have removed mountains, and the most unsuccessful is not that of the man who is taken unprepared, but of him who has prepared and is never taken.
This element of surprise or mystery the detective element as it is sometimes rather emptily called is of great importance in a plot.
Riposte of "that old lady in the anecdote who was accused by her nieces of being illogical," Logic! Good gracious! What rubbish! How can I tell what I think till I see what I say?
Neanderthal man listened to stories, if one may judge by the shape of his skull.
Tolerance is just a makeshift, suitable for an overcrowded and overheated planet. It carries on when love gives out, and love generally gives out as soon as we move away from our home and our friends.
In the novel we can know people perfectly, and, apart from the general pleasure of reading, we can find here a compensation for their dimness in life.
Paganism is infectious, more infectious than diphtheria or piety.
Men yearn for poetry though they may not confess it; they desire that joy shall be graceful and sorrow august and infinity have a form.
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