Poetry is the art of saying what you mean but disguising it.
Learning to live what you're born with is the process, the involvement, the making of a life.
I write in the first person because I have always wanted to make my life more interesting than it was.
Poems come from incomplete knowledge.
Innocence is suffering and the loss of that innocence is something to fear.
We are authors, all of us, concerned with beginning, with making, with sources and substance.
Poetry is one of the essential structures of civilization - carrying myth, ritual, 'tales of the tribe' and the essence of language.
Still, language is resilient, and poetry when it is pressured simply goes underground.
I think one of the things that language poets are very involved with is getting away from conventional ideas of beauty, because those ideas contain a certain attitude toward women, certain attitudes toward sex, certain attitudes toward race, etc.
I think that's what poetry does. It allows people to come together and identify with a common thing that is outside of themselves, but which they identify with from the interior.
So, I've never been politically correct, even before that term was available to us, and I have really identified with other people who don't want to be read as just a black poet, or just a woman poet, or just someone who represents a cause, an anti-Vietnam war poet.
Poems reveal secrets when they are analyzed. The poet's pleasure in finding ingenious ways to enclose her secrets should be matched by the reader's pleasure in unlocking and revealing these secrets.
High and low culture come together in all Post Modern art, and American poetry is not excluded from this.
I don't like political poetry, and I don't write it. If this question was pointing towards that, I think it is missing the point of the American tradition, which is always apolitical, even when the poetry comes out of politically active writers.
What line breaks add to prose prosody is a connection between eye and ear which emphasizes the nature of the language by ... creating units of intent and emphasis, and by contouring the meloding pitch changes in the narrative-line.
I think that great poetry is the most interesting and complex use of the poet's language at that point in history, and so it's even more exciting when you read a poet like Yeats, almost 100 years old now, and you think that perhaps no one can really top that.
American poetry is always about defining oneself individually,claiming one's right to be different and often to break taboos.
I'm perfectly happy when I look out at an audience and it's all women. I always think it's kind of odd, but then, more women than men, I think, read and write poetry.
But I am not political in the current events sense, and I have never wanted anyone to read my poetry that way.
From reading a previous answer, you know that I consider all those aspects to be part of American cultural myth and thus they figure into good American poetry, whether the poet is aware of what he is doing or not.
But I don't think that poetry is a good, to use a contemporary word, venue, for current events.
Distinctly American poetry is usually written in the context of one's geographic landscape, sometimes out of one's cultural myths, and often with reference to gender and race or ethnic origins.
My poems are almost all written as Diane. I don't have any problems with that, and if other women choose to identify with this, I think that's terrific.
Because, in fact, women, feminists, do read my poetry, and they read it often with the power of their political interpretation. I don't care; that's what poetry is supposed to do.
American poetry, like American painting, is always personal with an emphasis on the individuality of the poet.
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