Every picture I make, every experience of my private life, every lesson I learn are the keys to my future. And I have faith in it.
Working with Marilyn Monroe on The Misfits (1961) nearly gave me a heart attack. I have never been happier when a film ended.
I never did like the idea of sitting on newspapers. I did it once, and all the headlines came off on my white pants. On the level! It actually happened. Nobody bought a paper that day. They just followed me around over town and read the news on the seat of my pants.
Single men never have any problems. I suppose that the public builds some kind of idea from what they've seen of me on the screen.
They see me as an ordinary guy, like a construction worker or the guy who delivers your piano.
When the public doesn't want me any longer, I'll quit.
If any child of mine becomes an actor I will turn in my grave.
Clark Gable was the only real he-man I've ever known, of all the actors I've met.
Method actors are like hams.
I don't want a lot of strangers looking down at my wrinkles and my big fat belly when I'm dead.
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