Andy Goldsworthy Quotes - Page 4

Quotes about:

• I just see myself as an object in the final image. I know I'm experiencing it when I'm there working on it. I'm there to be worked with, as anything else that I work with.

  Andy Goldsworthy

  Finals, Objects, Knows

  "Andy Goldsworthy goes into the wild". Interview with Katherine Cusumano, www.interviewmagazine.com. October 26, 2015.

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• Sometimes you need to stop doing something to really see it afresh.

  Andy Goldsworthy

  Needs, Sometimes

  "Andy Goldsworthy Goes Into the Wind". Interview with Katherine Cusumano, www.interviewmagazine.com. October 26, 2015.

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• When I do the permanent projects or the big projects, when a work is finished, that's the beginning of its life.

  Andy Goldsworthy

  Projects, Bigs, Finished

  "Sculptor Turns Rain, Ice And Trees Into 'Ephemeral Works'". "Fresh Air" with Terry Gross, www.npr.org. October 8, 2015.

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• Complete control can be the death of a work.

  Andy Goldsworthy

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• It's just that when I work on someone else's land, it makes me aware of the social nature of that landscape.

  Andy Goldsworthy

  Land, Landscape, Social

  "Sculptor Turns Rain, Ice And Trees Into 'Ephemeral Works'". "Fresh Air" with Terry Gross, www.npr.org. October 8, 2015.

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• If I'm going to understand the land, I have to understand the wind, the snow, the rain, the leaves, the ice, and changes in temperature. It just reflects a reality for me.

  Andy Goldsworthy

  Rain, Reality, Ice

  "Andy Goldsworthy goes into the wild". Interview with Katherine Cusumano, www.interviewmagazine.com. October 26, 2015.

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• I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work.

  Andy Goldsworthy

  People, Needs, Sculpture

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• It's frightening and unnerving to watch a stone melt.

  Andy Goldsworthy

  Artist, Scary, Watches

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• I have six acres in front of my own house, which I very rarely work on. Most of the work occurs on farmers' fields around me. And I like the discipline of working on other people's land.

  Andy Goldsworthy

  Land, Discipline, People

  "Sculptor Turns Rain, Ice And Trees Into 'Ephemeral Works'". "Fresh Air" with Terry Gross, www.npr.org. October 8, 2015.

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• I go way beyond just the wood and stone but to the process of growth and farming and the tensions between the two.

  Andy Goldsworthy

  Two, Growth, Stones

  "Sculptor Turns Rain, Ice And Trees Into 'Ephemeral Works'". "Fresh Air" with Terry Gross, www.npr.org. October 8, 2015.

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• Time confined into blind caves or extended through tunnels, responds to the call of infinity, which teases with its promise of freedom. outside the body, time is a pair of compasses in the hands of eternity, but inside it is a pendulum, fastened to the heart. the heart takes its measure from the lengthening swing of the pendulum surveying what time is left. in its own rhythm time spreads itself wildly here and there and is crippled elsewhere. its unequally distributed weight wounds my body - that is how the particularities of my life are manifest.

  Andy Goldsworthy

  Heart, Tunnels, Swings

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• Once the fired stone is out of the kiln, it is still possible to mentally reconstruct it in its original form.

  Andy Goldsworthy

  Artist, Stones, Form

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• There are occasions when I have moved boulders, but I'm reluctant to, especially ones that have been rooted in a place for many years.

  Andy Goldsworthy

  Years, Boulders, Occasions

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• The reason why the stone is red is its iron content, which is also why our blood is red.

  Andy Goldsworthy

  Blood, Iron, Stones

  Andy Goldsworthy (2001). “Midsummer Snowballs”, Harry N. Abrams

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• I'm cautious about using fire. It can become theatrical. I am interested in the heat, not the flames.

  Andy Goldsworthy

  Artist, Fire, Flames

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• I did tests on small stones before collecting and committing myself to the larger ones.

  Andy Goldsworthy

  Artist, Stones, Tests

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• I can't edit the materials I work with. My remit is to work with nature as a whole. I find nature as a whole disturbing. Nature can be harsh – difficult and brutal, as well as beautiful. You couldn't walk five minutes from here without coming across something that is dead or decaying.

  Andy Goldsworthy

  Beautiful, Harsh, Minutes

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• The early firings contained many stones.

  Andy Goldsworthy

  Artist, Stones, Firing

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• We leave our presence in the pavement. We're walking over it, sitting on steps.

  Andy Goldsworthy

  Sitting, Pavement, Steps

  "Sculptor Turns Rain, Ice And Trees Into 'Ephemeral Works'". "Fresh Air" with Terry Gross, www.npr.org. October 8, 2015.

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• Stones are checked every so often to see if any have split or at worst exploded. An explosion can leave debris in the elements so the firing has to be abandoned.

  Andy Goldsworthy

  Artist, Elements, Splits

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• The main source of my income is through the commissions of the large-scale works and big sculptures, the projects.

  Andy Goldsworthy

  Income, Sculpture, Projects

  "Sculptor Turns Rain, Ice And Trees Into 'Ephemeral Works'". "Fresh Air" with Terry Gross, www.npr.org. October 8, 2015.

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• I have to understand the nature of change. And I cannot just work with stone or the more permanent materials. I need to work with leaves and ice and snow and mud and clay and water and the rising tide and the wind and all these.

  Andy Goldsworthy

  Ice And Snow, Wind, Water

  "Sculptor Turns Rain, Ice And Trees Into 'Ephemeral Works'". "Fresh Air" with Terry Gross, www.npr.org. October 8, 2015.

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• Three or four stones in one firing will all react differently. I try to achieve a balance between those that haven't progressed enough and those about to go too far.

  Andy Goldsworthy

  Balance, Trying, Three

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• Confrontation is something that I accept as part of the project though not its purpose.

  Andy Goldsworthy

  Artist, Purpose, Accepting

  Andy Goldsworthy (2001). “Midsummer Snowballs”, Harry N. Abrams

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• The British climate, although it is very wet, it is quite mild in winter. We don't get these severe - generally don't get severe winters.

  Andy Goldsworthy

  Winter, Climate, British

  "Sculptor Turns Rain, Ice And Trees Into 'Ephemeral Works'". "Fresh Air" with Terry Gross, www.npr.org. October 8, 2015.

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