People have asked me why I chose to be a dancer. I did not choose. I was chosen to be a dancer, and with that, you live all your life.
Freedom to a dancer means discipline. That is what technique is for -- liberation.
Stand up! Keep your backs straight! Remember that this is where the wings grow.
A dancer, more than any other human being, dies two deaths: the first, the physical when the powerfully trained body will no longer respond as you would wish. After all, I choreographed for myself. I never choreographed what I could not do. I changed steps in Medea and other ballets to accommodate the change. But I knew. And it haunted me. I only wanted to dance.
The spine is the tree of life. Respect it.
Misery is a communicable disease.
No artist is ahead of his time. He is his time; it is just that others are behind the times.
I am absorbed in the magic of movement and light. Movement never lies. It is the magic of what I call the outer space of the imagination.
Dancing appears glamorous, easy, delightful. But the path to paradise of the achievement is not easier than any other. There is fatigue so great that the body cries, even in its sleep. There are times of complete frustration, there are daily small deaths.
What makes a great dancer is not technique. What makes a great dancer is passion.
I am certain that movement never lies. There is only one law of posture I have been able to discover - the perpendicular line connecting heaven and earth.
There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique.
Dance is a song of the body. Either of joy or pain.
It takes about ten years to make a mature dancer. The training is twofold. There is the study and practice of the craft in order to strengthen the muscular structure of the body. The body is shaped, disciplined, honored, and in time, trusted. The movement become clean, precise, eloquent, truthful. Movement never lies. It is a barometer telling the state of the soul's weather to all who can read it. This might be called the law of the dancer's life, the law which governs its outer aspects
Dancers are the messengers of the gods.
When you start with an idea, or something hits you, then you have to follow that through to the end, and it's the following through to the end that makes the pattern. That, for me, is choreography.
The reason dance has held such an ageless magic for the world is that it has been the symbol of the performance of living.
Wherever a dancer stands is holy ground.
I believe that we learn by practice... it is the performance of a dedicated precise set of acts, physical or intellectual, from which come shape of achievement, a sense of one's being, a satisfaction of spirit.
You will only get out of a dance class what you bring to it. Learn by practice.
Think of the magic of that foot, comparatively small, upon which your whole weight rests. It's a miracle, and the dance is a celebration of that miracle.
Discipline is liberation.
Repetition not for monotony but the ecstasy it induces.
Practice means to perform, over and over again in the face of all obstacles, some act of vision, of faith, of desire. Practice is a means of inviting the perfection desired.
Nothing is more revealing than movement.
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