The element of heroic maleness had always been present in the concept of the artist as one who rides the winged horse above the clouds beyond the sight of lesser men, a concept seldom applied to those who worked with colours until the nineteenth century. When the inevitable question is asked, "Why are there no great women artists?" it is this dimension of art that is implied. The askers know little of art, but they know the seven wonders of the painting world.
We still make love to organs and not people; that so far from realising that people are never more idiosyncratic, never more totally there when they make love, we re never more incommunicative, never more alone.
What we ought to see in the agonies of puberty is the result of the conditioning that maims the female personality in creating the feminine.
Nature herself is not always unambiguous. Sometimes a girl child may have so well-developed a clitoris that it is assumed she is a boy. Likewise, many male children may be underdeveloped, or their genitals deformed or hidden and it is assumed that they are girls.
At the same time as woman was becoming the showcase for wealth and caste, while men were slipping into relative anonymity and "handsome is as handsome does," she was emerging as the central emblem of western art.
It is in our interests to let the police and their employers go on believing that the Underground is a conspiracy, because it increases their paranoia and their inability to deal with what is really happening. As long as they look for ringleaders and documents they will miss their mark, which is that proportion of every personality which belongs in the Underground.
Because love has been so perverted, it has in many cases come to involve a measure of hatred.
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