Novelists who get shitty about screenwriting invariably can't do it, or they can't hack it in the world of what's really, in truth, very bold and very public enterprise.
I came into screenwriting from an odd direction, because the first screenplay that I read was and is better as writing than the top one percent of literary novels.
The old days of screenwriting, and myths about screenwriting, are maybe over. It's a literary form, if you can wake up to it.
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