Even my failures make money and become classics a year after I make them.
We seem to have a compulsion these days to bury time capsules in order to give those people living in the next century or so some idea of what we are like. I have prepared one of my own. I have placed some rather large samples of dynamite, gunpowder, and nitroglycerin. My time capsule is set to go off in the year 3000. It will show them what we are really like.
These are bagpipes. I understand the inventor of the bagpipes was inspired when he saw a man carrying an indignant, asthmatic pig under his arm. Unfortunately, the man-made sound never equalled the purity of the sound achieved by the pig.
I can't read fiction without visualizing every scene. The result is it becomes a series of pictures rather than a book.
Some of our most exquisite murders have been domestic, performed with tenderness in simple, homey places like the kitchen table.
There is nothing so good as a burial at sea. It is simple, tidy, and not very incriminating.
Suspense is like a woman. The more left to the imagination, the more the excitement. ... The conventional big-bosomed blonde is not mysterious. And what could be more obvious than the old black velvet and pearls type? The perfect ‘woman of mystery’ is one who is blonde, subtle and Nordic. ... Although I do not profess to be an authority on women, I fear that the perfect title [for a movie], like the perfect woman is difficult to find.
There is nothing to winning, really. That is, if you happen to be blessed with a keen eye, an agile mind, and no scruples whatsoever.
Seeing a murder on television can help us unload the feelings of hate themselves. If you do not have feelings of hatred, may be obtained in the advertising interval.
Television has brought back murder into the home - where it belongs.
I always take the audience into account.
[When accepting the American Film Institute Life Achievement award] I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat (Patricia Hitchcock), and the fourth is as fine a cook as ever performed miracles in a domestic kitchen. And their names are Alma Reville.
I'm frightened of eggs, worse than frightened, they revolt me.
I'm full of fears and I do my best to avoid difficulties and any kind of complications. I like everything around me to be clear as crystal and completely calm.
A movie should be as long as one can hold their bladder
I am to provide the public with beneficial shocks.
One never knows the ending. One has to die to know exactly what happens after death, although Catholics have their hopes.
This weapon [an ax] is primitive but effective. And it's also guaranteed to be fifty-percent painless. You see, it takes two people to operate, and the person at this end [the handle] doesn't feel a thing.
It has been rumored that "Psycho" is so terrifying that it will scare some people speechless. Some of my men hopefully sent their wives to a screening. The women emerged badly shaken but still vigorously vocal.
All love scenes started on the set are continued in the dressing room.
I am scared easily, here is a list of my adrenaline - production: 1: small children, 2: policemen, 3: high places, 4: that my next movie will not be as good as the last one.
Cary Grant is the only actor I ever loved in my whole life.
I'm not much into rear window ethics.
The Birds could be the most terrifying motion picture I have ever made.
In the documentary the basic material has been created by God, whereas in the fiction film the director is a God; he must create life.
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