He was his own leftover, the spat-out scrag. He was what his brain could make nothing of.
What happened casually remains -
But who is stronger than death? Me , evidently .
It took the whole of Creation To produce my foot, my each feather: Now I hold Creation in my foot. Or fly up, and revolve it all slowly - I kill where I please because it is all mine. There is no sophistry in my body: My manners are tearing off heads - The allotment of death.
This house has been far out at sea all night, The woods crashing through darkness, the booming hills, Winds stampeding the fields under the window Floundering black astride and blinding wet Till day rose; then under an orange sky The hills had new places, and wind wielded Blade-light, luminous black and emerald, Flexing like the lens of a mad eye.
So we found the end of our journey. So we stood, alive in the river of light, Among the creatures of light, creatures of light.
With a sudden sharp hot stink of fox, It enters the dark hole of the head. The window is starless still; the clock ticks, The page is printed.
The wolf is living for the earth.
The gash in its throat was shocking, but not pathetic.
And the elephant sings deep in the forest-maze About a star of deathless and painless peace But no astronomer can find where it is.
Nobody wanted your dance, Nobody wanted your strange glitter, your floundering Drowning life and your effort to save yourself, Treading water, dancing the dark turmoil, Looking for something to give.
You could become internationally famous - you're Gemini, and according to antique authority have a literary talent, which of course your letters prove.
Applause is the beginning of abuse
You solve it as you get older, when you reach the point where you've tasted so much that you can somehow sacrifice certain things more easily, and you have a more tolerant view of things like possessiveness (your own) and a broader acceptance of the pains and the losses.
I think it was Milosz, the Polish poet, who when he lay in a doorway and watched the bullets lifting the cobbles out of the street beside him realised that most poetry is not equipped for life in a world where people actually die. But some is.
I sit in the top of the wood, my eyes closed. Inaction, no falsifying dream Between my hooked head and hooked feet: Or in sleep rehearse perfect kills and eat.
The jaws' hooked clamp and fangs Not to be changed at this date; A life subdued to its instrument.
The Shell The sea fills my ear with sand and with fear. You may wash out the sand, but never the sound of the ghost of the sea that is haunting me.
The world rolls under the long thrust of his heel. Over the cage floor the horizons come.
The Iron Man came to the top of the cliff. How far had he walked? Nobody knows. Where did he come from? Nobody knows. How was he made? Nobody knows. Taller than a house the Iron Man stood at the top of the cliff, at the very brink, in the darkness.
He could not stand. It was not That he could not thrive, he was born With everything but the will – That can be deformed, just like a limb. Death was more interesting to him. Life could not get his attention.
Nothing has changed since I began. My eye has permitted no change. I am going to keep things like this.
Stilled legendary depth: It was as deep as England. It held Pike too immense to stir, so immense and old That past nightfall I dared not cast.
So the self under the eye lies, Attendant and withdrawn.
In the pit of red You hid from the bone-clinic whiteness But the jewel you lost was blue.
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