The main thing on film is you want to be innocent to the moment.
Nobody feels like an adult. It's the world's dirty secret.
Without social identity, there is, in fact, no society.
When there is tension, arguments and money problems, it's tough to do your work. Some people thrive on that. I don't.
You never know if it's any good until people respond to it. You know how it feels when you do it, but there's so many things involved. The thing you do realize is, if the movie isn't any good, then it's your fault. That's what you think about.
I like relaxed sets. I like to feel that I can make a mistake without feeling like I'm costing somebody money. I like a sense of freedom. I like it when people are open and are willing to let you do your work.
There's nothing like walking onto a Hollywood sound stage.
I don't watch the dailies. You want to just turn in your resignation when you watch the dailies.
Any time you die in a film, it's not real, so it's all kind of fun.
A Western would be good. I'd love to do a Western.
Life is too god damn short and you can't waste a minute of it.
But I loved making Eat Pray Love, and I loved working with Julia Roberts.
The end comes, no matter what. The only thing that matters is, how do you want to go out, on your feet or on your knees?
When I was a kid, I loved horror films. I used to stay up on Saturday night to watch.
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