You should never read online comments if you want to keep thoughts above the belt.
As a writer, you want to go somewhere else sometimes. You want to vary the terrain that you're exploring.
I really did for a few weeks think, I'm in pain because the world needs me to save it. Which is so ridiculous and egotistical.
I obviously read and adore traditional fiction. I teach traditional fiction, I also teach all kind of not-so-traditional fiction. And since I'm such a plot buff, and I'm really such a narrative buff, I can't seem to relinquish my - not just reliance - but excitement about those traditional techniques.
Every once in a while when I get a migraine, I like to think, "Who hates me today?"
I think female-female relationships interest me so much more because they're so encoded. There is kind of a psychic element that happens within groups of women. Whenever I hang out with my female friends, I feel like context is never needed.
There are some writers who are done when they finish a draft because they've thought it through beforehand. Whereas I'll finish a first draft and I'm nowhere near done.
If I'd done the discovery before I wrote the book, then there would be nothing to discover. It would feel dutiful instead of exciting.
I needed to understand this random bad bit of luck as part of a bigger design. Otherwise I was suffering meaninglessly. This made the suffering a lot worse.
Some people just make me feel mentally endangered. Whatever dark stuff is going on in their head, it's coming at me and I need to escape.
The dreamed outcome of launching a psychic attack can make you feel small and petty. I think for that reason I'm going to refrain from launching any.
I've subsequently become conscious of MAKING MEMORIES. Which makes me sound like a scrapbooker.
I go through life now reminding myself to remember something, and I do this while that something is happening. I'll be experiencing a moment and I'll say to myself, "Remember this!" Otherwise my whole life just blurs by.
I guess what I find so interesting about memory, and its role in a person's identity, is how the attempt to achieve accuracy requires you to remove yourself from your life in an authorial manner.
The belief that one's suffering has a greater cosmic purpose, and is thus more exciting and more noble, well, it made a lot of sense to me.
I used to have a really sharp memory. And its loss has proven destabilizing from an identity perspective.
A friend of mine urged me to see my pain as an opportunity. And since the same psychic that contacted Dion Fortune had told me that I was a "teacher" - she didn't mean at Columbia, she meant in the spiritual sense - I decided my affliction was the universe telling me that it was time to stop writing fiction and become the spiritual guru I was clearly meant to be.
I want the plot to be as complicated as possible. Usually I'll write all the way through to an end, and then I go back and try to fix the ending so that it makes sense. I don't think out the plot ahead of time.
"I wish somebody knew whether or not I'm Jewish."
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