The spirit, like the body, can be strengthened and developed by frequent exercise. Just as the body, if neglected, grows weaker and finally impotent, so the spirit perishes if untended.
The word compositon moved me spiritually and I made it my aim in life to paint a composition. It affected me like a prayer and filled me with awe.
The sensations of colors on the palette can be spiritual experiences.
The spirit is often concealed within matter to such an extent that few people are generally capable of perceiving it.
Everything shows me its face, its innermost being, its secret soul, which is more often silent than heard.
I applied streaks and blobs of colors onto the canvas with a palette knife, and I made them sing with all the intensity I could.
Every work of art is the child of its time, often it is the mother of our emotions.
Music is the ultimate teacher.
I really believe that I am the first and only artist to throw not just the 'subject' out of my paintings, but every 'object' as well.
The world is full of resonances. It constitutes a cosmos of things exerting a spiritual action. The dead matter is a living spirit.
The impact of the acute angle of a triangle on a circle produces an effect no less powerful than the finger of God touching the finger of Adam in Michelangelo.
Colors produce a spiritual vibration, the impression they create is important only as a step towards this vibration.
All methods are sacred if they are internally necessary. All methods are sins if they are not justified by internal necessity.
A world of colors on the palette remaining... wandering... on canvases still emerging.
A parallel between color and music can only be relative – just as a violin can give warm shades of tone, so yellow has shades, which can be expressed by various instruments.
There is only one road to follow, that of analysis of the basic elements in order to arrive ultimately at an adequate graphic expression.
Generally speaking, color directly influences the soul.
The artist is not a 'Sunday child' for whom everything immediately succeeds. He does not have the right to live without duty. The task that is assigned to him is painful, it is a heavy cross for him to bear.
With few exceptions, music has been for some centuries the art which has devoted itself not to the reproduction of natural phenomena, but rather to the expression of the artist's soul, in musical sound.
Whether the psychological effect of color is direct...or whether it is the outcome of association, is open to question. The soul being one with the body, it may well be possible that a psychological tremor generates corresponding one through association.
In their pursuit of the same supreme end, Matisse and Picasso stand side by side, Matisse representing color and Picasso form.
Barriers are continually being made out of... new values which have overturned the barriers of the past. Thus one sees that it is not basically the new value that is of prime importance, but rather the spirit that is revealed in this value, as well as the freedom necessary for this revelation.
Every phenomenon can be experienced in two ways. These two ways are not arbitrary, but are bound up with the phenomenon – developing out of its nature and characteristics : Externally – or – inwardly.
Emotion that I experienced on first seeing the fresh paint come out of the tube.. ..the impression of colours strewn over the palette: of colours - alive, waiting, as yet unseen and hidden in their little tubes...
In your works, you have realized what I, albeit in uncertain form, have so greatly longed for in music. The independent progress through their own destinies, the independent life of the individual voices in your compositions, is exactly what I am trying to find in my painting.
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