Philippe Falardeau Quotes - Page 2

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• Some people around me said "Get a tux and live this and enjoy this" and that's what I did. It was a fun experience. On the red carpet, I was just behind Rooney Mara who I adore, and I had to not act too conspicuously because my girlfriend was there. Behind me, there was Glenn Close. So, it was kind of interesting.

  Philippe Falardeau

  Girlfriend, Fun, People

  Source: collider.com

  4 Copy quote

• I'm writing a political comedy that takes place in Canada in Quebec. It's funny. Saying political comedy is a little redundant but it's a first. I've never done any comedy per se.

  Philippe Falardeau

  Writing, Political, Done

  Source: collider.com

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• There is some humor in Monsieur Lazhar and in all my other films, but this one I'll try to make a real comedy from start to finish. It's called Prescott Etc. because the name of the constituency is so long that everybody in the constituency just says Prescott Etc. I don't know if that's what it will be. It's a working title.

  Philippe Falardeau

  Real, Names, Long

  Source: collider.com

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• If you look at the end of the movie [Monsegnor Lahzar], I give a lot of space to what the spectator can also imagine of what's going to be Bachir's life afterwards. So, there's the restraint part, and there's the fact that the story is happening in the school which allowed me to tackle all these subjects without making it too didactic, because in the school everything happens.

  Philippe Falardeau

  School, Space, Giving

  Source: collider.com

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• It's like a laboratory, a micro-society of real life, so it didn't look odd to talk about bureaucracy. In the school, in the class, there are already a lot of children from different ethnic backgrounds so the reality is there. I don't have to shove it in people's face. It's just there and it's normal.

  Philippe Falardeau

  Children, Real, School

  Source: collider.com

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• If you look at the Oscars and look at the Best Foreign Language series, you see that the films are coming from everywhere - from Quebec, Israel, Poland, and Belgium. It's not the usual French, German, etc. This category is opening up to socially engaged and political films. I think we're going to see a cross over to the main categories also. It's part of this global environment now and I'm grateful that the Academy is having this window on world cinema.

  Philippe Falardeau

  Grateful, Thinking, Israel

  Source: collider.com

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• I'm pretty optimistic that in the future these kind of films will also be part of the main categories, perhaps not in a foreign language, but certainly more socially and politically engaged films, or films that will happen where the story takes place outside the United States.

  Philippe Falardeau

  Optimistic, United States, Stories

  Source: collider.com

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• I feel relief about the Oscars. You know, you're not in this business for prizes but, okay, I missed one.

  Philippe Falardeau

  Relief, Oscars, Okay

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• I teach myself archaeology, I teach myself Spanish, and that's because it can be fun, it can be useful. So I keep studying. I read books because I still want to study. I don't want to stop.

  Philippe Falardeau

  Fun, Book, Want

  "Tribute chats with director of Monsieur Lazhar". Interview with Tribute.ca, www.tribute.ca. March 9, 201.

  14 Copy quote

• I don't like ostentatious galas and stuff like that, but if you get to the Oscars, you'd better get used to it and you'd better enjoy it.

  Philippe Falardeau

  Oscars, Stuff, Used

  Source: collider.com

  4 Copy quote

• The irony is I did an intimate film in France with no stars and that got me to Hollywood. It got me to the Oscars. If I had tried to imitate the Americans or the Hollywood movies with a commercial recipe, I'd never have gotten to Hollywood. Although, it was not my goal in any way, and I never thought there was any connection between Monsieur Lazhar and the Oscars.

  Philippe Falardeau

  Stars, Goal, Hollywood

  Source: collider.com

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• What I know is that if I was asked to teach mathematics in French for a week to young kids, I would do my homework and I think I could do a decent job. I don't think a degree in education would make me a better teacher. I sometimes teach in college. I don't teach for long periods of time, but I give workshops and I think I can communicate stuff. So, it's about communicating.

  Philippe Falardeau

  Teacher, Jobs, Kids

  Source: collider.com

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• For sure, and we haven't found it yet. I understand why we have come to a time and place where we cannot touch the children at school for obvious reasons. I'm not that old, but back then some teacher would take our arm and squeeze it, and it was not fun.

  Philippe Falardeau

  Teacher, Children, Fun

  Source: collider.com

  4 Copy quote

• It's cool that we got rid of that, but we got rid of everything - the encouraging pat on the back or even a hug which I find can be acceptable in some situations. I know that it's a sensible subject and that we're trying to avoid nasty things, but [you can] have as many rules as you want, there will still be stuff happening anyway.

  Philippe Falardeau

  Hug, Trying, Stuff

  Source: collider.com

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• At the end, what I like is that it's the girl's decision to go back in the room. She needs a hug, she wants a hug, she asks for a hug and he gives it to her. For me, it's like an act of resistance to go there and to transgress the taboo and to do what started the whole thing in the beginning. It was supposedly a hug that started this whole drama between the character of Simon and the teacher.

  Philippe Falardeau

  Girl, Teacher, Drama

  Source: collider.com

  4 Copy quote

• It's the same challenge as with any other character, adults or not. You want to take time with the kids. You want to tell them in the audition that they have time to exchange ideas. I'm there. It's not someone else who does the audition, but I don't want to audition a thousand children.

  Philippe Falardeau

  Children, Character, Kids

  Source: collider.com

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• I will see 100 or 200 and I will take my time with them and I audition them for the two main roles. If I like what I see, but they're not exactly right for the role, I'll think well I have this other role that might work for them. Sometimes I will write a role for them because I want to work with them because they're so good.

  Philippe Falardeau

  Writing, Thinking, Two

  Source: collider.com

  4 Copy quote

• I try to set up a playful atmosphere on the set so that they don't get tired too easily. They know it's work but they can also have fun, and when it's time to dig deep inside of them, they can go there.

  Philippe Falardeau

  Fun, Tired, Atmosphere

  Source: collider.com

  4 Copy quote

• Again, something that's very strange and odd, you will find sometimes that immigrants that have been here for many years and already have their citizenship might be the ones against additional immigration. We've seen that also.

  Philippe Falardeau

  Years, Immigration, Might

  Source: collider.com

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• Sometimes it's about the economic situation and sometimes it's about the fear of others. Sometimes it's about protecting the generally accepted values. If you look at history, history is just a succession of people meeting other people, either through commerce, voyages or wars.

  Philippe Falardeau

  War, People, Looks

  Source: collider.com

  4 Copy quote

• If you read Herodotus, the first Greek historian 2,500 years ago, he was talking about that - about people mixing with other people. Sometimes it produces great societies. Sometimes it triggers war. But, we're not going to change that. I don't think so. We're living in nations that are state nations and countries.

  Philippe Falardeau

  Country, War, Thinking

  Source: collider.com

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• The notion, the invention of a country, is fairly new in the history of mankind. We tend to forget that. We want to protect our country. The country is something that's fairly new. It's 250 years old, maybe 300 years old, so it's bound to change and evolve also. Migration is part of that.

  Philippe Falardeau

  Country, Years, Want

  Source: collider.com

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• We have a conservative government that only thinks in terms of efficiency. They are spending a lot of money on military expenses and less and less on culture. My position is that culture can actually be economically viable. When I make a film, the film costs $3 million. Now, in Quebec, it grossed $3.5 million, which is a small film. It's not a comedy. There are no stars in it. And, it still grosses $3.5 million. That's just in Quebec.

  Philippe Falardeau

  Stars, Military, Thinking

  Source: collider.com

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• That's grossing money for other people that has a multiplying factor, but the government doesn't see that. It doesn't see that making a film or culture or art is part of our economy. But the main reason is this, it's part of our identity. I think cinema is the memory and the imagination of the country. Take the memory and imagination out of an individual and he's stops being an individual.

  Philippe Falardeau

  Country, Art, Memories

  Source: collider.com

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• I think it's the same thing for a country. We are lucky then that we can get some financing from the government, because it means when I get the money, when I get the grant to do the film, of course it's based on the script, but I have total artistic control and I can do personal stuff.

  Philippe Falardeau

  Country, Mean, Thinking

  Source: collider.com

  4 Copy quote

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