We're always working on new music and now that we have our own studio space we have tried to stay focus and really explore. But we have projects out that we are super proud of and want to keep building on that.
In music in general, you're always getting a lot of information, buts it's most important to have honest communication. It's always important to understand that we can do so much individually if we connect with one another and have honest conversations. As scary as it is, it can be very liberating. Staying connected to the people you love and staying connected to the things that really matter has been my biggest lesson.
Being able to connect with people with similar taste and style also allows people to get to know us better. Although we have been around for a little, some people listen to our music and some people don't listen to our music, so it's nice to be able to curate the sounds and show our influences. Although it's nice to go out and look fancy and dress up, you don't always go to parties where the music is a good so it's nice to be in a position to bring the vibes and create the experience.
I find that the quest to be perfect and make perfect music is like a black whole. I realize that you can come with the intention to capture a vibe and use a formula, but you have to accept that most of the time its not going to be what you envisioned and you might manifest something better. I think that's been the hardest thing to wrap my head around that most ideas we go for ends up sounding different. I think art in general should be about enjoying the process and the experience. All that matters is if you feel the music and it captures the element your going for.
Like Lucas [Goodman] has said, between the people we've met, and the experiences we've had, it's just our growth. It's just something that represents all of what Lion Babe started as and where we're going.
Obviously, this is our first album [Begin], so this is our first big body of work that's out there in the world and it really represents our journey, from where we started to now and all the music we created, our range, and all the things that we definitely shared, but weren't able to show our range on a full-scale until this album.
We created this journey [in the Begin], sonically, that people can really wrap their heads around and live with and get to know us a little bit more. The dark colors, the light colors, our up-tempos, and our down-dreamy stuff.
There are probably still people that are competitive with each other, but I don't feel that's necessary. I like when we lift each other up.
I got to speak to Missy Elliott on the phone and she was like, 'I see you and just keep doing your thing,' and to hear that was incredible.
I think, more importantly, it's about who is your core team? Who are the people around you that are going to fight for you and make sure that's all protected?
In general, I think the best thing to do is to connect with other females. I love meeting other female artists and feeling like we're all rooting for each other. I think that's shifted even more.
It doesn't necessarily always come down to race in the music industry. It can be whoever has the most money, has the most power, and that's really the struggle - dealing with how crazy money is.
I think also, obviously, having someone like Lucas [Goodman], and the people around me are very, not gender-driven or any of that, so when we come in as thing, that's what it is. You can work with us or not work with us and I think that has been helpful. I don't try to put myself in a vulnerable position in that way. I won't just sit quietly.
I think when we were starting off, I picked a group of women to represent me. The top tiers of everyone that I've worked with are women. It felt more comfortable because they can relate to me.
The women in my family are just strong women who do their own thing, so I knew I needed to have individuals like that.
It's definitely evolved from where it started - for 'Treat Me Like Fire,' I wanted something extremely wild because I was going to be running through the woods and I wanted it really nappy and crazy.
I think with the '70s style, you can do a bigger curling iron, so you get those long swirls. If you want it natural-natural, you can also just brush your hair out and tease that. So, it varies on what kind of thing you want to do, but it's nice to have a couple more hands in there to help me or else it takes really long.
I think having wild, huge hair, is me being my own version of a lioness.
Making that statement of 'I'm not afraid to be untamed.' It's just kind of the marriage of those two things.
The main thing I like to do is have a mix of the '70s glamour and emulate a lot of ladies I love, like, Diana Ross, Chaka Khan, Donna Summers. I remember thinking that as a young girl, they were so cool and iconic. I missed that!
There's so many people that I feel like as soon as that happens, they can really be and focus on what they want to do.
Lion Babe, on a work day, is definitely a process. I obviously could do it by myself, but I definitely prefer not to. It's a lot of hair. I used to start with little pieces, and then it just got bigger, and bigger, and bigger.
I love writing to my little sister. It's a very nice, easy kind of way I always find inspiration.
I think the world tries to put people in a box, like this is the only appropriate way to be beautiful.
It's so important to embrace what you have because if you don't, that can be the root of very self-destructive habits, which I think people waste a lot of energy on.
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