Lou Doillon Quotes - Page 2

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• Yeah, you always have to be there and remind people of you. It's complicated when you do music, or when you do anything in general. You need time. I don't know if it's because of the weather or what, but [Canadians] seem to have a relationship to time that I like very much.

  Lou Doillon

  Weather, People, Needs

  "Lou Doillon’s Canadian Love Affair". Interview with Emily McDermott, www.interviewmagazine.com. February 19, 2016.

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• There is a thing where I get scared watching other people, and really realize, My God, their happy lives are going to stop. Sometimes you feel that people have 19 jokers in their back pocket and, because of the way they're living, you're like, Do you know that this is not going to happen over and over again forever?

  Lou Doillon

  Happy Life, People, Forever

  Source: www.interviewmagazine.com

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• It doesn't help that we are three generations of actresses, who are always obsessed with losing time. But on the other side, historically, women have much more time on their hands than before. It goes together-the more time we have, the more we're flipping out about how we've got to deal with it.

  Lou Doillon

  Losing, Helping, Obsessed

  Source: www.interviewmagazine.com

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• The whole process of music for me is something absolutely honest and really naked and bare, so I never forced myself to write in French.

  Lou Doillon

  Writing, Naked, Honest

  "Lou Doillon Loses Love and Finds Her Voice". Interview with Emma Brown, www.interviewmagazine.com. August 7, 2012.

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• Singing is the rawest thing. Having been naked in films or naked in photo shoots, it's nothing compared to singing. It's absolute nakedness. You are stripped bare!

  Lou Doillon

  Singing, Naked, Film

  Source: www.interviewmagazine.com

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• Acting seems much easier than singing, in fact, because you are putting on a costume - whereas here you are taking everything off.

  Lou Doillon

  Singing, Acting, Costumes

  Source: www.interviewmagazine.com

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• I hate short hair on men - the 'real' man is something I don't know. My dad was always playing with hairbands, making rings, while the women were wearing jeans, white T-shirts and Converse. That was the uniform at home.

  Lou Doillon

  Dad, Hate, Real

  "How I get dressed". Interview with Lauren Cochrane, www.theguardian.com. August 2, 2008.

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• I'm in my father's car at age 9 or 10 crying to Leonard Cohen's 'Famous Blue Raincoat,' thinking that you could write nearly a love letter to a man who betrayed you by having an affair with your wife. I was thinking how wonderful and pure music can be for explaining situations.

  Lou Doillon

  Father, Writing, Men

  "Lou Doillon? At 30, With Her First CD, She Won a French Grammy. Now Her CD Is Here. Lucky Us" by Jesse Kornbluth, www.huffingtonpost.com. June 24, 2013.

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• I like costumes. I am always dressing up - I'm very English like that.

  Lou Doillon

  Dressing Up, Costumes, Dressings

  "Fast and louche". Interview with Jess Cartner-Morley, www.theguardian.com. March 14, 2008.

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• I was such a tomboy. I had absolutely no bosom, and I wore my hair really short - shaved, like a boy.

  Lou Doillon

  Boys, Hair, Really Short

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• I have a huge scarf from Hermes that I bought the day I signed my record deal. I had never had an Hermes scarf. And I ran to buy one, thinking, Now, this is a symbol, I need one, I need an Hermes scarf, which actually now Im quite embarrassed about. Most of the time I twist it so much that no one notices it, and just bundle it around me.

  Lou Doillon

  Thinking, Twists, Needs

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• I always lived with guitarists. When they would leave, I would just pick up their acoustic guitars and start doing finger picking and write.

  Lou Doillon

  Writing, Guitar, Acoustics

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• I always have lipstick, and use the same lipstick for my cheeks as blush, so that it looks very natural. It's a good trick I learned from my mother. I like NYX or MAC because they have a lot of pigment and they're matte.

  Lou Doillon

  Mother, Looks, Use

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• I have a strong and strange character, and I've rarely met directors who knew what to do with this character. One of the few who did was my father, and in the theatre, Arthur Nauzyciel.

  Lou Doillon

  Strong, Father, Character

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• It took me so long to get to the music, where that was what I wanted to do all my life. It took me so long to realise that it wasn't really movies that I wanted to do, but to be on stage singing.

  Lou Doillon

  Long, Singing, Stage

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• I try to not listen to all the girls I admire musically - like Nina Simone - just so I don't find myself imitating them, even if it's subconsciously.

  Lou Doillon

  Girl, Trying, Nina

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• There's so many good books, but I'm always like, "I'm sorry, I have five more Faulkners to read, I can't be bothered." Most of the time when you try, you fall on the wrong one.

  Lou Doillon

  Sorry, Book, Fall

  "Lou Doillon’s Canadian Love Affair". Interview with Emily McDermott, www.interviewmagazine.com. February 19, 2016.

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• Music, for the moment, has been this hidden thing for me. For the first time, I am master of something. I am not used by someone else, like in movies or pictures, where you always have the happiness or disappointment of knowing it's you seen through someone else's point of view. You go to see a film and half of the pretty scenes are not in it-the ones you liked. Living with this frustration all the time, suddenly music came as the best thing for me at home, where no one can tell you anything.

  Lou Doillon

  Disappointment, Home, Frustration

  Source: www.interviewmagazine.com

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• What I realized is that the desire for making 'Places' came from the fact that I've got this strange situation with having been born in the glitter, born on the other side of the mirror that everyone fantasizes about.

  Lou Doillon

  Mirrors, Desire, Sides

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• I wish I could be more serious about painting. I think there may be something going on there and I should pursue it. I'm very old-fashioned - even with the music. I realize, while I have so much respect for the kookiness of people who go for it, who paint with their eyes closed, I am superclassical.

  Lou Doillon

  Eye, Thinking, People

  Source: www.interviewmagazine.com

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• It's true that the biggest value of life is that it's going to stop. I was thinking when I was in New York the last time that all that we see that has importance is man-made. It isn't nature-made. And when I was looking through the window, looking at New York, I was so moved by humanity's desire for immortality-because that's what it is.

  Lou Doillon

  Thinking, Desire, Window

  Source: www.interviewmagazine.com

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