I know I am right for Scarlett. I can convince Mr. Selznick.
Every single night I'm nervous.
One is just an interpreter of what the playwright thinks, and therefore the greater the playwright, the more satisfying it is to act in the plays.
I never found accents difficult, after learning languages.
Tired of all her efforts at Tara, Scarlett wishes to escape too: "I do want to escape too! I'm so very tired of it all!. . . The South is dead, it's dead, the Yankees and the carpetbaggers have got it and there's nothing left for us."
My parents were absolutely delighted that I knew what I wanted to do.
English people don't have very good diction. In France you have to pronounce very particularly and clearly, and learning French at an early age helped me enormously.
I was sent successively to schools in France, Italy and Bavaria, and this erratic education was a great help afterwards.
I never sleep for more than five hours, hardly ever.
When I was at school at Paris, I had special lessons from Mademoiselle Antoine, an actress at the Comedie Francaise, and I was taken to every sort of play. I felt very grand.
Streetcar is the most wonderful, wonderful play.
Streetcar is a most wonderful, wonderful play.
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