I'm not a historian but I can get interested - obsessively interested - with any aspect of the past, whether it's palaeontology or archaeology or the very recent past.
The Photograph is concerned with the power that the past has to interfere with the present: the time bomb in the cupboard.
The past is our ultimate privacy; we pile it up, year by year, decade by decade, it stows itself away, with its perverse random recall system.
Equally, we require a collective past - hence the endless reinterpretations of history, frequently to suit the perceptions of the present.
We all need a past - that's where our sense of identity comes from.
The present hardly exists, after all-it becomes the past even as it happens. A tricky medium, time - and central to the concerns of fiction.
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