When I watch students make particular decisions about language, structure, and form, it sharpens my own thinking and my own development as a writer.
I started reading contemporary fiction in college or right after college. It wasn't as if I was steeped in experimental minimalism when I was twelve or something. I was reading The Witch of Blackbird Pond.
In undergraduate classes, I often see writers who are still simply imitating. I mean, we all imitate - that's how we learn to speak or write in the first place - but they're writing a Dean Koontz novel or something.
Another obligation that I have as a teacher is to make available to students a range of options and devices and approaches, rather than saying "well here's one way to do it and that's the only way that's good."
Portland is a pretty magnificent place to live.
"Portland is a pretty magnificent place to live."
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