Latest Jose James Quotes from Interviews

• I really like the complexity of jazz, the emotional depth; I feel like there's no other music that's really as satisfying as jazz.

  Jose James

  Emotional, Jazz, Complexity

  Source: www.interviewmagazine.com

• For me jazz is kind of an extension of hip-hop. Kind of the sad thing is that a lot of jazz people just listen to jazz, and a lot of hip-hop people just listen to hip-hop, and there's not a lot of crossover, unfortunately.

  Jose James

  People, Jazz, Kind

  Source: www.interviewmagazine.com

• I don't get writer's block. I don't try to write anything; when something comes, I write it. I just practice and when I get an idea I write it down.

  Jose James

  Block, Writing, Trying

  Source: www.interviewmagazine.com

• The level of musicianship in New York is the highest in the world. It's tough to get into. You start gigging making 50 dollars a night, or playing for nothing to get to something. It's insane. It's like being a modern dancer, or something - the hardest thing to make money from.

  Jose James

  Night, Dancer, Insane

  Source: www.interviewmagazine.com

• I'm listening to a lot of Drake, and a lot of Frank Sinatra just because it's his centennial also. I'm going to be doing some tributes to him this year. I love that Beck album. It was funny to me because my two favorite albums of the year were definitely the Beyonce album and the Beck album.

  Jose James

  Years, Two, Listening

  Source: revive-music.com

• When I start working on a new album, I kind of stop listening to a lot of outside stuff just so I can kind of focus.

  Jose James

  Focus, Listening, Albums

  Source: revive-music.com

• I'm working with a producer, Scott Jacoby, who co-wrote "Trouble" off No Beginning No End. Without giving away too much, it's a definite pop/r&b vibe, pretty strong melodies, and definitely about songs.

  Jose James

  Song, Strong, Giving

  Source: revive-music.com

• There's a more experimental album that follows that, which is like Black Magic and While You Were Sleeping. Then there's a return to jazz, For All We Know and Yesterday I Sang The Blues. It wasn't like a planned thing, I just kind of realized it when I made a list of my albums. Like, oh wow, this is exactly what I did before.

  Jose James

  Sleep, Yesterday, Black

  Source: revive-music.com

• I've sort of realized there's a definite pattern to my output at this point: there's an album that everybody sort of loves, that's a real balance between the old and new, like The Dreamer or No Beginning No End, like a blend of jazz and hip-hop, or r&b and soul and hip-hop.

  Jose James

  Real, Hip Hop, Soul

  Source: revive-music.com

• I'm pretty much always planning two albums ahead.

  Jose James

  Two, Albums, Planning

  Source: revive-music.com

• All my stuff is pretty seamless - like now, while I'm touring [Yesterday I Sang The Blues], today I'm going to go in the studio, I'm writing my next one. For me it's continual.

  Jose James

  Writing, Yesterday, Stuff

  Source: revive-music.com

• Chico Hamilton told me, "The first take is important in jazz because that's where the real emotion is." That's your true response to what's happening, and everything else after that, your brain is involved because you have something to reference.

  Jose James

  Real, Brain, Important

  Source: revive-music.com

• There used to be a club in new york called Bradley's - I've never been there, it closed in the 80's - but I used to study with Junior Mance, and he would tell me about Bradley's. It was a very important place for a generation of jazz musicians in New York. It was really all about pianists there.

  Jose James

  New York, Important, Musician

  Source: revive-music.com

• Jason [Moran] and John [Patitucci] and Eric [Harland] knew it was a Billie Holiday tribute. I'm sure they assumed it was going to be like another singer date, where we just have a bunch of charts and they write them down and they got paid and kind of moved on. There's nothing wrong with that, but it's not what I intended.

  Jose James

  Writing, Holiday, Moved On

  Source: revive-music.com

• Once I had the band, Jason [Moran] and John [Patitucci] and Eric [Harland] - it's very exciting to have that trio of just world-class guys - I already knew it was going to be fantastic. I didn't really tell them anything about it. They didn't know what they were going to play beforehand.

  Jose James

  Class, Play, Guy

  Source: revive-music.com

• For me, the difference between a musician reading an arrangement on a piece of paper, and them closing their eyes and listening to what's happening around them and responding to it, is huge.

  Jose James

  Reading, Eye, Differences

  Source: revive-music.com

• I go by the "Miles Davis school of production and band-leading", where you pick the best musicians you can, you provide them with a minimum of direction, and you just let the music happen. I've seen it work time and time again.

  Jose James

  School, Musician, Band

  Source: revive-music.com

• When I sort of step in my jazz world, it's somewhere between instrumental jazz and vocal jazz.

  Jose James

  World, Steps, Jazz

  Source: revive-music.com

• For better or for worse, I think my approach to jazz is very traditional, in one sense, but is [also] very out of fashion today. It's about the musicians, and it's about that magic that happens in the moment.

  Jose James

  Fashion, Thinking, Magic

  Source: revive-music.com

• The other songs [of Billie Holiday] - "Body and Soul" is like the standard - I also wanted some songs that I knew I would sound good on, as a producer. It's been the same nine songs since I debuted it back in 2012.

  Jose James

  Song, Holiday, Soul

  Source: revive-music.com

• I also tried to focus on songs that Billie Holiday wrote, songs that she had a hand in shaping, like "Strange Fruit"; songs that were written for her or songs that she wrote herself, like "Fine and Mellow" or "God Bless The Child."

  Jose James

  Song, Children, Holiday

  Source: revive-music.com

• [Billie Holiday] was keeping it super real, and you can feel that to this day. Everything that she sang, she believed in. So I had to pick songs that I felt the same about.

  Jose James

  Song, Real, Holiday

  Source: revive-music.com

• If you look at the other singers of Billie Holiday's time, they were really trying to entertain. They were trying to make people feel good. They were singing fast - and she was singing the blues.

  Jose James

  Holiday, People, Feel Good

  Source: revive-music.com

• I feel like, in many ways, Billie Holiday's still very under-appreciated as an artist. People focus on her voice, and all of the very recognizable vocal things that she does, which are great. But I wanted to, with this project, start the conversation again about her as a radical feminist, as a civil rights activist - taking a stance. And also just [her] being a non-conformist.

  Jose James

  Holiday, Artist, Rights

  Source: revive-music.com

• I really pulled from that repertoire that Billie Holiday was singing, and the way she sang it. It's sort of this beautiful, not really midpoint, but a period of her career where she really still had her voice. She had that deep wisdom that we've come to associate her with. To me, that's her at the height of her powers.

  Jose James

  Beautiful, Holiday, Careers

  Source: revive-music.com

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