I'm just worried that the technology I invented in that story ["The Pyramid and the Ass" ] will become real, and George W. Bush will be able to clone into a new body and be "re-elected" due to a clone-bill passed by him and his cronies. God forbid!
I set many of my stories in a gritty "realist" world, but one that is plagued by an overuse of technology, which is akin to the world we find ourselves living in now.
The problems we have with our current technology often reveal our own human foibles, and it's these new emotions of cyberspace which reveal our struggles.
I think the challenge for humans remains the same as it has always been: to learn the skills of kindness, compassion, and love. Without these sacred skills, all technology can do is grow the shadows in our lives.
I was really interested in this ability for others to create virtual memories for us. In "The Cartographers" I explore this through Adam Woods, and the company he works for, which produces virtual memories that people can beam into their consciousness. While the technology is sci-fi, the story is also a metaphor for the way love relationships create memories in our minds.
In the story ["The Pyramid and the Ass"] there's this war against the so-called Buddhist Terrorists. As we find out, they're not really terrorists at all, just good folks trying to liberate people from technology and fight against an American government/corporation trying to coopt our souls. The inherent racism and Buddhist-phobia in the story plays into the present demonizing of Islam - and of our loss of knowledge about the great, spiritual history of the Sufis, for example, or the cultural heritage from the middle east.
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Richard Courant Mathematician