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  • every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself.

    Oscar Wilde, Russell Jackson, Joseph Bristow, Ian Small (2000). “The Complete Works of Oscar Wilde: The picture of Dorian Gray : the 1890 and 1891 texts”, p.7, Oxford University Press on Demand