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  • Preparing a character is the opposite of building-it is a demolishing, removing brick by brick everything in the actor's muscles, ideas and inhibitions that stands between him and the part, until one day, with a great rush of air, the character invades his every pore.

    Peter Brook (2017). “The Shifting Point: Forty Years of Theatrical Exploration, 1946-87”, p.16, Bloomsbury Publishing