We're just animals, creatures smart enough and unlucky enough to have figured out we're alive, and we're going to die without ever knowing any purpose. We can pretend all we want and we can wish all we want, but that basic existential fact remainswe can't know.
What is common to all paths that are spiritual is, of course, the Spirit-breath, life energy, that is why all true paths are essentially one path, because there is only one Spirit, one breath, one life, one energy in the universe. It belongs to none of us and all of us. We all share it. Spiritually does not make up otherworldly; it renders us more fully alive.
What comforted me? That is easy. It was a strong cold chicken jelly so very, very thick. My mother's Chinese cook would fix it. He would cook it down, condense it-this broth with all sorts of feet in it, then it would gell into sheer bliss. It kept me alive once for three weeks when I was ill as a child. And I've always craved it since.
The flash of rain, the shining rainbow riding completely around the plane, the lift over mountain ridges, the steady, pure air at dawn take-offs. ... It was so alive and rich a life that any other conceivable choice seemed dull, prosaic, and humdrum.
I'm not so in with the prescriptive avant-garde agenda. I can do that sort of thing, but I feel that I'm still interested enough in song structure. When I look at a lyric on the page, the lyric is alive to me, looking like soldiers in a field. I can move it around, and it's very black-and-white.
There are barbarians who seize this dog, who so prodigiously surpasses man in friendship, and nail him down to a table, and dissect him alive to show you the mezaraic veins... Answer me, Machinist, has Nature really arranged all the springs of feeling in this animal to the end that he might not feel? Has he nerves that he may be incapable of suffering?
What I'm trying to do is to tell young people that I teach them how to breathe before I teach the haiku. That one breath, that one breath, because the haiku keeps you alive. It keeps you going. If you learn how to breath the haiku, you learn how to breathe. If you learn how to breathe, you're much healthier.
Just to be part of a process where you hit no professional speed bumps and you're just sort of going on and on. I'm surrounded by these people that are all so collaborative and all bring things of their own to the process. For them to be alive in the scenes so you don't have to worry.
I've got a New Zealand film coming out here called Out of the Blue. It's a very heavy story, and it's the first time I've played a character who is alive.
I think all of us struggle with how to keep relationship alive. And yet it can't be static either. It's never going to be how it was when you first met because you're not in that place anymore; you're not necessarily the same people. So, that's the struggle - you're trying to make the relationship move forward with the rest of your life and make it special and meaningful. And I think it's incredibly challenging.
In this rigged, two-party system, third parties almost never win a national election. It's obvious what our function is in this constricted oligarchy of two corporate-indentured parties - to push hitherto taboo issues onto the public stage, to build for a future, to get a young generation in, keep the progressive agenda alive, push the two parties a little bit on this issue and that.
I lived through being pooh-poohed by fine art galleries, saying, "Digital is going to destroy the meaning behind photos." The motion side, the moment all of the cameras come alive with that motion, it was like a dream come true. It enables people to economically experiment with film.
When I'm onstage, I'm completely comfortable, and I feel very vital and alive.
I'm a character actor. Nobody's ever seemed to think of me as a leading man. I'm 6'6''. I've got a big nose. I'm gangly. I've got crooked teeth. That's certainly not Brad Pitt. I'm still around and alive, so if they need older guys, I guess they're thinking of me.
Art is the only thing that helps people stay alive, and it is the only thing that has allowed people to create joy in this insane, suppressive universe. And art is the only thing that they can't get rid of. They've tried, but ultimately they can't stamp it out.
As far as I've been alive, women have always been more or less the symbol of sexuality rather than the male. We don't see the naked male body, as the symbol of sex.
I'm a man who struggles with melancholy and depression, but I am a very productive filmmaker and I work constantly, with no pause. Even in the worst of crises, I manage to produce work. And that's keeping me alive.
As for major obstacles keeping young Latinos from becoming filmmakers, I think our communities are still coming into their identities as storytellers. It's such an important identity to reclaim - it's how our ancestors kept our cultures alive. But a long history of silencing, invisibility, and marginalization has kept generations of Latinos from believing in themselves, from seeing themselves as agents of their own lives. I think there needs to be a focus on this aspect to help cultivate young Latinas to see themselves as cultural producers and defenders.
What makes me feel alive is community, connectedness. Certainly family, parenting, relationships, friendship. All the way into colleague relationships and relationship with spirit, relationship with one's own self and inner child, and animals, earth, planet. Fostering and nurturing and really focusing on connection - connection in relationship with other and my own self and God. When I don't feel connected in all those three areas, life is not very good.
Life, the moment. Where the magic is. That's what really keeps me motivated, alive, hungry. I'm still as excited and motivated now as I was twenty-five years ago, and that's because I really live for those moments. And that's where the art comes from, that's where the music is born, that's where it all appears. I love it.
To hold the reader's attention, you have to bring the person who's reading the book inside the experience of the time: What was it like to have been alive then? What were these people like as human beings?
Relationships keep us alive and our lives meaningful.
The talent, including the talent for history - and I do think there are people who just have a talent for it, the way you have a talent for public speaking or music or whatever - it shouldn't be allowed to lie dormant. It should be brought alive.
I'm not one of those actors who likes to analyze things too much, so I trust what the writers are doing with the characters, in order to give them their journey. My job is to come in and try to make those words on the page come alive on camera.
Retiring isn't even a word I'd understand. Taking what makes you feel alive, and everyone's looking for ways of making them feel alive, in whatever they do - relationships, business or work - and not just being a voice for a money making business.
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