'Lollipop Opera' is the backdrop to Finsbury Park. A place that is very thriving, interracial and lot of music stores, Greek, Turkish, all sorts of immigrant music. It's utter Englishness. It blends the Jamaicans, the Irish. It's like what Jim Reeves did with American country music.
When State Way Gardens and The Robert Taylor Homes were being torn down, it seemed like a perfect opportunity to use that as a backdrop for the development of a super hero narrative.
I have the appetite to do different roles that have different backdrops. I'd like to show that there's more to people sitting in cars for reasons other than being police officers.
Most English writers are not interested in change but in the social novel. That demands a static backdrop. I'm intensely interested in change - probably as a matter of self-preservation. What the hell is going to happen next?
Against the backdrop of people who avoid work, cut corners, and do half-hearted jobs, a diligent man stands out. Practicing diligence is an excellent way to stand out for Christ at home, in the workplace, and even at church. Today, complete each one of your tasks, however big or small, with diligence.
The Sundering is a world spanning event that creates ripples all across the Realms. The books in the series are connected in that they take place against that backdrop, showing different aspects of it. The stories, however, are not sequels or intertwined, though there are some Easter Eggs across books.
The reading of the song is vital. The written word is first always . . . first. Not belittling the music, but it really is a backdrop. To convey the meaning of a song you need to look at the lyric and understand it.
I really am just trying to tell stories. But stories are often grounded in larger events and themes. They don't have to be - there's a big literature of trailer-park, kitchen-table fiction that's just about goings-on in the lives of ordinary people - but my own tastes run toward stories that in addition to being good stories are set against a backdrop that is interesting to read and learn about.
We know better than to think that Republicans can win only on the failures of Democrats. It still comes down to a contest of ideas, which is really good news, ladies and gentlemen, because when it's about ideas, the advantage goes to us. Against their dreary backdrop of arrogant bureaucracies, pointless mandates, reckless borrowing, willful retreat from the world and all that progressives have in store for us, the Republican Party stands as a great enduring alternative party.
My private tragedy, which cannot, and indeed should not, be anybody's concern, is that I had to abandon my natural idiom, my untrammeled, rich, and infinitely docile Russian tongue for a second-rate brand of English, devoid of any of those apparatuses–the baffling mirror, the black velvet backdrop, the implied associations and traditions–which the native illusionist, frac-tails flying, can magically use to transcend the heritage in his own way.
To preach the gospel is to show people their need for salvation against a backdrop of God's nature and the character of sin, and then present Jesus as the only remedy for what ails them and the world. In my weekly preaching in the worship services I always call people to believe in Christ.
In brief, worldbuilding is different than setting in my opinion. Setting is a room. A backdrop. It's scenery. But without good worldbuilding, you can't have realistic feeling scenery. You can't have cool, unique backdrops for your story.
I have nothing but respect for people who travel the world to make art and put exotic Indians in front of linen backdrops, but it's always been my philosophy to try to make art out of the everyday and ordinary.
Many a play is like a painted backdrop, something to be looked at from the front. An Ibsen play is like a black forest, somethingyou can enter, something you can walk about in. There you can lose yourself: you can lose yourself. And once inside, you find such wonderful glades, such beautiful, sunlit places.
When I first went to jail in 1960 with seven classmates trying to use their public library against the backdrop of my father being a veteran of World War II, not being able to use - having to sit behind Nazi on American military bases, I lost my fear of jails and death.
Twitter is a place where you share your thoughts, yourself... you don't want a plain white backdrop for that. You want the entire page to say something about who you are. Designer or not, if the urge strikes you, go for it. Put up that watercolor you've never shown anyone. Take a photo of that hat you just knitted... whatever it is, share it.
I think somebody who is more self-reflective should ask why they personally aren't going on that path. If amateurism is so great, why didn't you stay one? You have to look at the larger economy, a backdrop of unemployment; it's shitty out there.
What it targets is not something that's really looked at a lot in terms of the war. This is stuff that's off the beaten path in terms of what we think of every time you start a Civil War history or a Civil War presentation. It's usually about the military and the soldiers and all that stuff. And this is not. It's the backdrop to a place and a time and circumstances that didn't have anything to do with that.
I think that those of us who are ordinary disappear easily into the backdrop of life and we take things for granted. We often wake up in our lives and wonder how we got there. But the characters I create, the people I am drawn to, are quite extraordinary (and not always in wholesome ways), and they offer us the chance to understand who we really are and how we became who we are.
As modern society is formed against the backdrop of a permanent war zone, a carceral state and hyper-militarism, the social stature of the military and soldiers has risen.
I wanted to present a sweep and scope of larger events, and a grander backdrop, but most important was to set against that a very singular, real and modest people struggling with every day and human struggles.
Poor Hollywood! These things happen all over the world but what a great backdrop to have Hollywood in our movie. No, but I know people who divorce a lot....and have really nice houses. But I didn't model the character on anyone in particular. And if I did, I would never tell the name.
What interests Sam Mendes are characters and relationships, and he was a genius at giving you the freedom to create the type of character you want, and also to explore and have fun with your fellow actors. For him, characters and relationships are really the heartbeat of the film, and then the action is the backdrop. By developing the characters, he makes you care that much more about the action and going on a journey with the characters.
When I was about five my dad built a stage for me in our basement. A full stage, with a curtain, a backdrop and a dressing room. There were three colored spotlights - a red one, a white one, and a blue one. Blue was for nighttime scenes, and red was for when we were in hell. If the neighborhood kids wanted to use the stage, they had to incorporate me into the play.
... in the eyes of its visitors, Venice has no reality of its own. Anyone visiting the place has already seen so many pictures of it that they can only attempt to view it via these clichés, and they take home photographs of Venice that are similar to the ones they already knew. Venice [is] becoming like one of those painted backdrops that photographers use in their studio.
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