Young people know they are being betrayed by he mass electronic media. It caricatures them, caricatures others. It is not really about them though it targets them as consumers.
Old age makes caricatures of us all.
The closer you get to reality, the harder it is to make it look convincing to the audience. That's why I tend to make things [films] that are a little bit more caricature.
It is an odd fact that what we now know of the mental and emotional life of infants surpasses what we comprehend about adolescents. . . . That they do not confide in us is hardly surprising. They use wise discretion in disguising themselves with the caricatures we design for them. And unfortunately for us, as for them, too often adolescents retain the caricatured personalities they had merely meant to try on for size.
If the KKK was smart enough, they would've created gangsta rap because it's such a caricature of black culture and black masculinity.
My fun as an actor and my task as an actor is to transform myself to become other people. I enjoy becoming characters but I don't enjoy becoming caricatures. The research I do is only necessary in so far as we move into other dimensions.
I grew up being fascinated by accents and dialects. One of the things that interested me were actors that were doing different characters, or sort of more caricatures.
Gargoyles were the complement to saints; Leonardo's caricatures were complementary to his untiring search for ideal beauty. And gargoyles were the expression of all the passions, the animal forces, the Caliban gruntings and groanings which are left in human nature when the divine has been poured away. Leonardo was less concerned than his Gothic predecessors with the ethereal parts of our nature, and so his caricatures, in their expression of passionate energy, merge imperceptibly into the heroic.
Confronting the US made him [Hugo Chavez] a target for demonization. Partisan and/or lazy journalism exaggerated his faults, ignored his virtues, and downplayed the influence of strident and on occasion anti-democratic opponents. The flip side is his anti-imperialist posturing so dazzled his cheerleaders they overlooked his flaws, flaws which worsened over time, and they created their own caricature.
It seems like everything is so polarized. You get the caricatures of people, the caricatures of their beliefs. "I hate this kind of person" or "I love this kind of person." But actually, there's a lot of great things about them. There are things to like. There's possibility of change.
Art must discover and reveal the beauty which prejudice and caricature have overlaid.
I find it very stupid that teenagers could only see caricatures of teenagers but they couldn't see films that you try to be a truthful context, a truthful portrayal of teenagers.
You just have to get one misstep - that's an easy way to fall into caricature. Bad caricature.
51% of the French people - who are not very religious - were thinking that what "Charlie Hebdo" did was unwise. They aren't asking for a law to prevent Charlie Hebdo from publishing caricatures, but they are calling on its editors to be a bit more sensible.
It is sort of a bit of a caricature of capitalism, that it's always this zero-sum game where you have winners and losers. Silicon Valley, the technology industry at its best, creates a situation where everybody can be a winner.
I feel like R&B as a genre has become a caricature of itself.
Truth without humility would be an arrogant caricature.
A new world is not made simply by trying to forget the old. A new world is made with a new spirit, with new values. Our world may have begun that way, but today it is caricature. Our world is a world of things. What we dread most, in the face of the impending debacle, is that we shall be obliged to give up our gewgaws, our gadgets, all the little comforts that have made us so uncomfortable. We are not peaceful souls; we are smug, timid, queasy and quaky.
Many militants of the secular cause look astonishingly like clergy. Worse: like caricatures of clergy.
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