I see explicit covers on magazines, and they're getting even more explicit, and it's like, Are women being empowered, or is this just what sells magazines? Are they feeling pressured, or have they really come into themselves and are saying, 'I am woman, hear me roar?
I always prefer other people's interpretations over my own, so I'm not very quick to make explicit what exactly a song or record is about.
The hijab, or sikh turban, or Jewish skullcap are all explicit symbols, but they do not represent a threat or affront to others, and have no bearing on the competence, skills and intelligence of a person.
I am committed to writing appropriate books for the middle grades. This means no bad language, no gratuitous or explicit violence, and no sexual content beyond what you might find in a PG-rated movie – expressions of who likes whom, holding hands, and perhaps the occasional kiss. The idea that we should treat sexual orientation itself as an adults-only topic, however, is absurd. Non-heterosexual children exist. To pretend they do not, to fail to recognize that they have needs for support and validation like any child, would be bad teaching, bad writing, and bad citizenship.
Part of the triumph of modernist poetry is, indeed, to have demonstrated the great extent to which verse can do without explicit meaning and yet not sacrifice anything essential to its effect as art. Here, as before, successful art can be depended upon to explain itself.
You become a serious programmer by going through a stage where you are fully aware of the degree to which you know the specification, meaning both the explicit and the tacit specification of your language and of your problem. "Hey, it works most of the time" is the very antithesis of a serious programmer, and certain languages can only support code like that.
Using official government resources to help bankroll an explicit political agenda - whether on the right or left - is flat out wrong.
For me, one of the most disturbing elements of the right wing's political agenda is that it believes that there is one correct spiritual and moral path for all people to follow. The danger inherent in this is its explicit refusal to accept anyone who happens to lead a different lifestyle, and the condemnation of those who differ.
As a Christian, part of my obligation is to alleviate suffering. Explicit recognition of that in the Methodist tradition is one reason I'm comfortable in this church.
Presumed consent preserves freedom of choice, but it is different from explicit consent because it shifts the default rule. Under this policy, all citizens would be presumed to be consenting donors, but they would have the opportunity to register their unwillingness to donate.
The gods have provided me with clear and compelling signs of what it means to live in conformity to nature. They did their part. So far as their gifts, aid, and inspiration are concerned, nothing prevented me from following the path prescribed by nature. If from time to time I have strayed from this path, the fault lies with me and with my failure to heed the gods' signs, or rather, their explicit instructions.
I like the concept of shooting beautiful, aesthetic, cinematographic pieces, and still allowing them to be explicit
Sex is a doorway to something so powerful and mystical, but movies usually depict it in a completely flat way. Being explicit doesn't tap into the mystical aspect of it either in fact, that usually kills it because people don't want to see sex so much as they want to experience the emotions that go along with it. These things are hard to convey in film because sex is such a mystery.
There's been an amazing backlash for the last decade in America: political correctness. In many ways, I think that, while we've been remarkably violent in our media, there's been a real schizophrenia. In private, on the Internet, and on public-affairs shows or talk radio, we're way more explicit than we've ever been. But traditional Hollywood has been much more frightened than it ever was in the '70s about presenting things that could be perceived as politically incorrect.
The ideas of a time are like the clothes of a season: they are as arbitrary, as much imposed by some superior will which is seldom explicit.
His hypothesis goes to this - to make the common run of his readers fancy they can do all that can be done by genius, and to make the man of genius believe he can only do what is to be done by mechanical rules and systematic industry. This is not a very feasible scheme; nor is Sir Joshua sufficiently clear and explicit in his reasoning in support of it.
These days any self-respecting exhibition of nude photos has to have pornographically explicit images to prove that they are works of art.
The Kennedy Administration's public pronouncements on the matter suggested that the presence of Soviet nuclear missiles in Castro's Cuba would represent an unacceptable strategic threat to the United States. . . . This urgent transformation of Cuba into an important strategic base - by the presence of these large, long-range, and clearly offensive weapons of sudden mass-destruction - constitutes an explicit threat to the peace and security of all the Americas. . . .
It is a work of psychogeography, albeit in a less explicit sense than Iain Sinclair's or Will Self's. It had to be fiction though, because I needed that freedom of including whatever belonged, and cutting out whatever didn't. The main fiction in it was matching Julius' generous and self-concealing character to New York's generous and self-concealing character. I think this also adds to my answer about New York's personality in the book.
Look at Mann's reading habits, his explicit comments on Nietzsche, and his copy of Birth of Tragedy, and it starts to seem doubtful that this work of Nietzsche's played much role in the gestation of the novella.
Part of my methodological approach is made explicit when I discuss ways in which literature can have philosophical significance. Literature doesn't typically argue - and when it does, it's deadly dull. But literature can supply the frame within which we come to observe and reason, or it can change our frame in highly significant ways. That's one of the achievements I'd claim for Mann, and for Death in Venice.
Developing an explicit decision-making process upfront for how you will make that decision will help alleviate conflict and gridlock when you actually need to decide.
I think that's the most dangerous kind of sexism: People don't realize it's there and we end up surreptitiously accepting it because it's just part of our culture. I've never experienced explicit, overt, confrontational sexism personally.
Curiously enough, the only two plays that I've done very much revision on were the two adaptations - even though the shape of them was pretty much determined by the original work. With my own plays, the only changes, aside from taking a speech out here, putting one in there (if I thought I dwelled on a point a little too long or didn't make it explicit enough), are very minor; but even though they're very minor - having to do with the inability of actors or the unwillingness of the director to go along with me - I've always regretted them.
I am comfortable talking about sex scenes and stuff, but to me, when it's physically explicit, I do feel prudish and uncomfortable.
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