Not one of us can lie or pretend. We're all fixed in good faith in a certain concept of ourselves.
Many a man who has known himself at ten forgets himself utterly between ten and thirty.
We've all got an identity. You can't avoid it. It's what's left when you take everything else away.
The world is an illusion. Why is it unreal? Because none of the knowledge is going to remain permanent, as real knowledge. I had a number of identities; I was a child, I was a boy, I was a teenager, I was a middle-aged man, I was an old man. Like other identities I thought would remain constant, they never remained so. Finally, I became very old. . . So which identity remained honest with me?
In a culture of technique, we often confuse authority with power, but the two are not the same. Power works from the outside in, but authority works from the inside out. . . . I am painfully aware of the times in my own teaching when I lose touch with my inner teacher and therefore with my own authority. In those times I try to gain power by barricading myself behind the podium and my status while wielding the threat of grades. . . . Authority comes as I reclaim my identity and integrity, remembering my selfhood and my sense of vocation.
I don't create blurs. Blurring is not the most important thing; nor is it an identity tag for my pictures.
I'm not surprised, but I am disappointed that Katharine Carr Esters claims that she was 'tricked' into divulging her true feelings about Oprah and that she now denies that she revealed to me the identity of Oprah's biological father.
My interest lies in my self-expression -- what's inside of me -- not what I'm in.
I do have two data identities. I have my name, Bruce Sterling, which is my public name under which I write novels. I also have my other name, which is my legal name under which I own property and vote.
For the Arabs in Israel there is always a tension between nationality and identity.
Irish fiction is full of secrets, guilty pasts, divided identities. It is no wonder that there is such a rich tradition of Gothic writing in a nation so haunted by history.
When I was 18 I went to college for two years and didn't work for a year which was essential for me, because my identity had been so influenced by my being an actor and I think I just needed to discover what it was to be myself, divorced from all that responsibility.
I have two dream roles: One would be a biopic of someone I admire and respect and the other one would be some sort of action drama film similar to a 'Bourne Identity.' I just really want to do an intelligent action drama film.
When faced with a challenge, happy families, like happy people, just add a new chapter to their life story that shows them overcoming the hardship. This skill is particularly important for children, whose identity tends to get locked in during adolescence.
I don't know what issues concerning identity have helped contemporary fiction evolve to what it is now. All I know is that the range of voices that are being heard and published is a lot more diverse than when I was coming up.
Regimes are modes of self-discipline, but are not solely constituted by the orderings of convention in day-to-day life; they are personal habits, organised in some part according to social conventions, but also formed by personal inclinations and dispositions. Regimes are of central importance to self-identity precisely because they connect habits with aspects of the visible appearance of the body.
[C]ultivated risk-taking represents an 'experiment with trust' (in the sense of basic trust) which consequently has implications for an individual's self-identity. (...) In cultivated risk-taking, the encounter with danger and its resolution are bound up in the same activity, whereas in other consequential settings the payoff of chosen strategies may not be seen for years afterwards.
I seem to have been able to make a career out of doing what I feel like doing, so why not keep doing it? What's corrupting is wanting to be more important. You want to be more arty - you get your identity from that. Or you get your identity out of making more money.
If you meet a woman in a burqa, she can't reply to your smile. It's a denial of identity.
Melissa McCarthy just opened this new movie, “Identity Thief,” and Rex Reed, who’s a known critic, wrote a scathing commentary on her weight. I think that weight designation is one of the last frontiers of bullying. I don’t know what the right “ism” for it is, but I think that there’s a level of that that’s happening that’s certainly not okay.
I don't wanna abandon my identity as LL Cool J, but at the same time, I had to figure out how to let people know that I'm really serious about making these movies.
Most of the Jewish writer friends I have are American, and I feel closer to them because they're always obsessed with one issue - identity: what does it mean to be an American Jew?
On another level, I want to mention that I have a strong Jewish identity and - over the years - have been involved in several Jewish projects, such as the establishment of a strong program of Judaic Studies at the University of California in San Diego.
By dismantling the narrow politics of racial identity and selective self-interest, by going beyond 'black' and 'white,' we may construct new values, new institutions and new visions of an America beyond traditional racial categories and racial oppression.
One of the great pluses of being an immigrant is you get to start again in terms of your identity. You get to shed the narratives which cling to you.
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