When I left New York, after getting fired from Metallica, all I remember is that I wanted blood. Theirs.
Some people try and tell you what the songs are about and it bores me to death.
I don't think success has changed us as people at all. We are the same lunatics that we were when this band first got going. We never see ourselves as being on a higher level than our fans.
It wasn't enough for Megadeth to do well; I wanted Metallica to fail.
Usually when I'm mad, I'd rather listen to angry music than soothing music - more heavy metal, some Metallica or something.
Authority pisses me off. I think everyone should be able to drink and get loud whenever they want.
When I came into Metallica, I had to do justice to Cliff's work, but I also had to put my own signature on it. No one could be Cliff Burton; Cliff Burton was the Jimi Hendrix of bass.
As iconic a band as Metallica has become, I think sometimes we forget just how raw they were in the beginning of their career, and to a 15-year-old kid like me, it was just shattering. I mean, it was beyond.
Metallica is going to be one of those bands you look back on in the year 2008, that people will still listen to the way I still listen to Zeppelin and Sabbath albums.
What Metallica always tries to do, as we go around and play a lot of the same cities, over and over again, year after year, is to give a different experience. We try to never play the same venues, or if we play indoors, we'll play outdoors, and all that type of stuff. It's always about just trying to do a different kind of experience.
When I get 13 or 14 years old, I get crazy with rock music, like, like, deeply crazy. And one of my favorite bands at that moment was, for example, like - bands like Metallica or Led Zeppelin, Black Sabbath, Pink Floyd and Santana, you know? And then I start to play metal, actually, when I was - at the age of 15.
I got into one Metallica record. That was about it. I never got into AC/DC or Black Sabbath or any of that. I was interested in the side of heavy metal that had interesting guitar ideas, but that was a very short-lived thing.
Some people can't physically hear things. A kid that listens to Metallica or something can't hear that, because he's filled himself up with this stuff, he physically can't hear a banjo or a harp or something.
We were nominated [for Grammy] once before for our album 1916. We were up against Metallica at the time and they had just sold a quarter of a zillion albums.
Ridley Pearson also plays bass guitar and sings with the Rock Bottom Remainders, a band made up of such successful authors as Amy Tan, Stephen King, and Dave Barry-a band that, according to Barry, "plays music as well as Metallica writes novels".
The United States military is now using the music of Metallica and other heavy metal bands to break the will of Saddam Hussein supporters to get them to talk. Theyre blaring heavy metal music at them. That should make the artist feel pretty good, huh? Put your heart and soul into your last CD and the Army is using it to torture people.
I work to loud music - hard-rock stuff like AC/DC, Guns 'n Roses, and Metallica have always been particular favorites - but for me the music is just another way of shutting the door.
As big as Metallica are, they're still not like a pop act. As big as they are, they're still not U2 or Lady Gaga. It's still underground.
I was into Metallica when they first started, like when Kill Em All came out.
Once I could drive, I spent all my time in the city going to metal shows. I missed the first couple of Metallica shows because I was lame. By the time I got into them, they were playing places like the Kabuki.
Then about 12 years ago it dawned on me that folk music - the music of Woody Guthrie and Phil Ochs, early Bob Dylan, Johnny Cash, Pete Seeger - could be as heavy as anything that comes through a Marshall stack. The combination of three chords and the right lyrical couplet can be as heavy as anything in the Metallica catalogue.
My kids listen to everything because I listen to everything, so it's not far-fetched to hear them playing Metallica and then playing A Tribe Called Quest or N.W.A.
My biggest influences were 1980s punk and metal. Metallica were my biggest influence because they were good at everything - riffs, energy - but with such an ear for melody, it was hard not to get pulled into it and become a fanatic.
Metallica - they're so demonic, they're crazy, I don't know how they do it.
The story I always recite - and have had to recite so many times over the years to different lawyers and different people within Universal - is that the business end of Mo'Wax was basically, like, 'Give us the big ones samples first, and we'll see how we get on.' And I gave them the six or seven that were, to me, the ones that were the scariest, and the biggest use. It wasn't about the big names, necessarily - although that played into it a bit, with people like Bjork and Metallica.
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