Novel Quotes - Page 13

• We have this huge discourse on family in this country, but no one deconstructs it the same way. People talk about "the American family." The right wing has this thing - Focus on the Family. What the hell is that? I don't want to just discuss the issues - I want family to be a real part of the character of the novels I write, and I don't like to write things that feel like issue books.

  Benjamin Alire Saenz

  Country, Real, Book

  Interview with Roger Sutton, www.hbook.com. March 16, 2017.

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• It's a complex thing when you're writing a novel, because so much of it is conscious and planned and deliberate, and so much of it is not, and it has to be a dance between the conscious and the unconscious. I bring my best instincts to my work. For instance - and I come by this naturally, or I think I do - I am a very good judge of character.

  Benjamin Alire Saenz

  Character, Writing, Thinking

  "Benjamin Alire Sáenz Talks with Roger". www.hbook.com. March 16, 2017.

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• Each time I have the urge in me to make a statement or send a message or to issue a manifesto, I don't bother to write a novel. I write an article and publish it in a popular newspaper, or I make a television appearance. I would not waste five years of my life in order to send to the Israeli readers a simple message such as, "Let us change a policy or stop the settlements," Or, "Let us strive for peace." This is not what it is about.

  Amos Oz

  Writing, Simple, Appearance

  Source: logger.believermag.com

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• Literature is about telling stories. Now, the gift of literature is that, in some lucky cases, reading a novel or a story makes the reader more curious, more open-minded. It may open a third eye in the middle of the reader's forehead.

  Amos Oz

  Reading, Eye, Lucky

  Source: logger.believermag.com

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• There is a document in every novel in the world. Even in the most fantastic novel, even in science fiction, there is a documentary side. But, this side is not the crux of the matter. I don't think a novel's main donation, main gift, is the document. The document is there, but a novel goes beyond documentation. It goes into opening a new vista, opening a new perspective, showing familiar things in an unfamiliar way.

  Amos Oz

  Thinking, Perspective, World

  Source: logger.believermag.com

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• D.H. Lawrence, I think, defined the difference between writing an article and writing a novel very well. He said, in writing a novel, the writer must be able to identify emotionally and intellectually with two or three or four contradicting perspectives and give each of them very a convincing voice. It's like playing tennis with yourself and you have to be on both sides of the yard. You have to be on both sides, or all sides if there are more than two sides.

  Amos Oz

  Writing, Thinking, Giving

  Source: logger.believermag.com

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• When I need to take a side, I write a newspaper article and I tell my government, "You should not do that, you should do this." They don't listen to me, but I've been doing this for sixty years now. But, when I write a novel, I am not in that business. I follow the way people change. I follow the way people, who are very antagonized to one another become very close to one another and vice-versa. Sometimes I follow the way people who are intimately close to each other move apart.

  Amos Oz

  Moving, Writing, People

  Source: logger.believermag.com

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• Black Box is not a statement about injustice committed against Sephardi Oriental Jews or about the extremism of religious Jews or the lack of imagination of the old Israeli elites. It's a human story, in my view, first and foremost about a mystical communion between enemies. This is the inner story of the novel. This is my business as a novelist. It is not about positions and ideas.

  Amos Oz

  Religious, Imagination, Black

  Source: logger.believermag.com

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• All my novels are rooted in their time and in their place. The place of my novels is Israel, almost without exception. Almost without exception, my novels are rooted in Israel because that's the place I know well. And, that's my gutsy advice to any young writer: write only about what you know well. Don't write about that which you don't know.

  Amos Oz

  Writing, Advice, Exception

  Source: logger.believermag.com

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• Of course, we carry inside of ourselves our parents. Even when they are dead, we carry them inside ourselves. And they are carrying inside themselves their dead parents and so on and so forth. There is a legacy of language and culture and religion. In some cases, family stories told by grandparents to little grandchildren. When I say my novels are set in Israel in the last seventy years, this entails the fact that they begin hundreds or thousands of years earlier in time. Everybody comes from somewhere.

  Amos Oz

  Grandchildren, Grandparent, Culture

  Source: logger.believermag.com

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• The only way to keep a dream, any dream at all, to keep a dream perfect and rosy and intact and unsullied is never to live it out. The moment you carry out any of your dreams or your fantasies - travel around the world, climbing a high mountain, buying a new house, writing a novel, carrying out a sexual fantasy, traveling to an unknown country - the moment you carry out your dreams, it's always, by definition less perfect and rosy than it had been as a dream. This is the nature of dreams.

  Amos Oz

  Dream, Country, Writing

  Source: logger.believermag.com

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• Israel is a fulfilled dream. Nothing that exists here existed here a hundred years ago. "The State of the Jews" was not a title of a country. It was a title of a futuristic novel. A little more than a hundred years ago, "Tel Aviv" was not a city. It was a title of another novel written by the same author. The "Return to Zion" was a name of another novel. There was a bookshelf. There was no state. There was no nation. All you can see, if you look through the window - everything you see is a fulfillment of dreams, different dreams.

  Amos Oz

  Dream, Country, Different

  "Everybody comes from somewhere". Interview with Prashanth Ramakrishna, believermag.com. October 20, 2016.

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• Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator's memories and thoughts.

  Kazuo Ishiguro

  Memories, Remember, Framed

  Source: www.guernicamag.com

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• I was a teenager when General Zia took power in the Pakistan; I was in my twenties when I went there during the late 1980s and I saw then not only the novel punishments that he was introducing - because they were novel, and this is again something that's very important to understand, it's only in the last thirty, forty years, since 1979 in fact, that these penalties have been revived anywhere in the world apart from Saudi Arabia.

  Sadakat Kadri

  Teenager, Important, World

  Source: www.guernicamag.com

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• I wish I could go back and re-write my first novel for the first time. Because I really didn't know what I was doing, and although it was published, it is, after all this time, kind of an embarrassment.

  Peter Straub

  Wish, Kind, Embarrassment

  Source: www.avclub.com

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• I always think about the books I'm doing in pretty much the same way. I'm simply trying to write that particular novel as well as that particular novel can be written. I want to listen to what it is telling me, trying to figure out what it wants to do as much as what I want to do with it. There's a negotiation that's constant and ongoing between me and the material I'm working with, because I'm trying to listen to it.

  Peter Straub

  Book, Writing, Thinking

  Source: www.avclub.com

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• When you write a novel or paint a picture, you have the opportunity to approach it and back off, tear up pages, write, rewrite, paint over, and come back to it. In film, once you start shooting, you can't restart the clock, and you keep moving forward, and you don't look back, and you don't go back. And that is, of course, antithetical to the creative process. It's really hard to generate a comfortable creative flow under that kind of pressure.

  Jeremy Davies

  Moving, Writing, Opportunity

  Source: www.avclub.com

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• My most recent novel didn't start out scaring me, but as I got deeper into writing it, it scared me. It's not so much where the story's going. It's where it came from. I always come out of it thinking, Okay, that got it all outta me. The next one's gonna be nice and simple, and it's not gonna scare me, and that never seems to happen.

  Nick Tosches

  Nice, Writing, Simple

  Source: www.esquire.com

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• I've always believed that poetry must speak of realities as least as complicated as those spoken of in prose. I've read books of poems, even single poems, which are, for me, at least the equivalent of a short story or a novel. Martin Amis, in an interview with Saul Bellow in the early eighties, quotes Bellow asking, "Why not address 'the mysterious circumstance of being', say what it's like to be alive at this time, on this planet?" This has been and still is my ambition.

  Lawrence Joseph

  Book, Ambition, Reality

  Source: www.commonwealmagazine.org

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• It's hard to hand a script to a director, there's no question about it. You've lived with these characters, you've started with a blank page, especially when it's an original work and something not based on a preexisting piece of material. But if you don't like it, write a novel.

  Victor Levin

  Writing, Character

  Source: www.interviewmagazine.com

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• I'd like to ghost-write Liz Phair's novel. But I don't really know about that. It seems like a dignified thing to segue into as I approach the other side of 45. My hands are just full right now. There's the potential to try to write some kind of biography of Pavement - sort of a cryptic, nonfiction/fiction blowout. The story's never been told well. But that's a lot of inward-gazing that I'm not sure I want to do. I like to look out.

  Stephen Malkmus

  Writing, Trying, Kind

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• I'm always tempted in the back of my mind to continue to write things in the Star Trek universe, in the novels or the comics, just because I don't get to play in that universe and I don't get to hang out with those characters any more. You spend hours upon hours of your life, day after day sitting in writers' rooms, talking about these people and these situations, and it becomes very real to you. They're friends of yours, in a lot of ways.

  Ronald D. Moore

  Real, Character, Writing

  Source: www.avclub.com

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• I am a big gamer. I am kind of in the beginning stages of creating a graphic novel entity that would encompass a game and a movie. I would die happy if I could be a voice in a game that I would actually play and create easter eggs with the team. That's my dream.

  Janina Gavankar

  Dream, Easter, Team

  Source: www.complex.com

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• We're a culture that's obsessed with people who make and who squander ridiculous amounts of wealth, which seemed an obsession well worth interrogating in a novel. That probably accounts for what some have called the book's "sweeping" feel, but I don't know that I set out to be cinematic. I wouldn't know how to do that in a novel, specifically.

  Matthew Specktor

  People, Culture, Ridiculous

  Source: www.interviewmagazine.com

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• A Good Soldier is one of my favorite novels, for various reasons. But the class question is a good one, because it's not always easy to empathize with privileged people.

  Matthew Specktor

  People, Soldier, My Favorite

  Source: www.interviewmagazine.com

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