You must write every single day of your life... You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads... may you be in love every day for the next 20,000 days. And out of that love, remake a world.
My brother and I are huge fans of foreign horror. Some of the most interesting movies are coming from overseas. I guess if there was one change we'd like to see, it would be more original horror films made by the studio system and less of a reliance on remakes.
I'm sick of remakes, how about something different. That's the thing - people always come to me and are like 'what do you want to remake, we know we can get that greenlight, what do you want to make?' I don't want to remake a g-d damn focking think.
Fandom, after all, is born of a balance between fascination and frustration: if media content didn't fascinate us, there would be no desire to engage with it; but if it didn't frustrate us on some level, there would be no drive to rewrite or remake it.
The so-called "remake" is simply a commercial formulation of a much deeper exchange which accounts for the way cinema is what it is.
And what we can see if we look deep within is that the authentic self is the Soul made visible. Do not try to remake yourself into something you're not. Just try making the best of what God made. The sacred art and craft of nurturing our souls and the souls of those we love is Simple Abundance soulcraft. Begin today by turning on the Light.
If you're a little hippy and full-bosomed, don't try to remake yourself in the image of a skinny fashion model. It won't work. You can trim down your hips. You should always concentrate on special movements to keep your breasts firm and lifted and young. Hippy and bosomy can be very nice, very desirable. Accept it.
It seems that every movie is a remake of something that was better when it was first released in a foreign language, as a 1960s TV show, or even as a comic book. Now you’ve got theme park rides as the source material of movies. The only things left are breakfast cereal mascots. In our lifetime, we will see Johnny Depp playing Captain Crunch.
The only thing that we can really make is our work, and deliberate work of the mind, imagination and hand, done, as Nietzsche said, ‘notwithstanding,’ in the long run remakes the world.
Apollo without Dionysus may indeed be a well-informed, good citizen but he's a dull fellow. He may even be 'cultured,' in the sense one often gets from traditionalist writings in education. . . . But without Dionysus he will never make and remake a culture.
If we use resources productively and take to heart the lessons learned from coping with the energy crisis, we face a future confronted only, as Pogo, once said, by insurmountable opportunities. The many crises facing us should be seen, then, not as threats, but as chances to remake the future so it serves all beings.
I did a 'Children of the Corn' remake for Sci Fi Channel. I play the Peter Horton role from the original, and Candace McClure from 'Battlestar Galactica' is my Linda Hamilton.
There is a wilful lemming-like persistance in remaking past successes time after time. They can't make them as good as they are in our memories, but they go on doing them and each time it's a disaster. Why don't we remake some of our bad pictures - I'd love another shot at 'Roots of Heaven' - and make them good?
I always say that you should remake flops, not hits.
With the Internet, kids today learn things quicker than we do and they have everything there is to see, so you have to do more than just remake some old '70s film
I think the Chainsaw remake is very good and captures the spirit of the original film. It's true to the tone of the original, to the point that it's almost a companion piece
It's not set in stone. I like to keep it rolling and changing, and so I am like, "Great, I get to remake my song."
In general I think the inspiration was to think about all those movies that I saw as a kid and never knew they were remakes, because I know there's probably another kid going to watch Evil Dead who has no idea.
I'm inspired when I find out about something that I didn't know was a remake.
I don't like to use the word 'remake', I think reinterpretation is a better word. It's just a matter of respecting the source, and then trying to make your own film, and trying not to be inhibited by being so beholden to every single thing... We respect the source, but we make changes to it.
I had to go on without my mother, even though I was suffering terribly, grieving her. My whole life sort of ended when my mom died. I had to remake it again and be a new person in the world without my mom. It was a very primal rebirth, that time after my mom died.
Luckily, I've never been offered a directing job that was lucrative. I've never heard, "Here's $800,000 to remake Sisters."
Snowden is almost preternaturally prepossessing and self-possessed. I think of a novelist whose dream character just walks into his or her head. It must have been like that with you and Snowden. But what if he'd been a graying guy with the same documents and far less intelligent things to say about them? In other words, how exactly did who he was make your movie and remake our world?
I was keen to direct an action film, and when Reliance approached me for the remake of Singham, I saw an opportunity to return to my first love.
I'm not the worlds biggest remake guy, meaning finding titles and saying, "Hey it's got some brand awareness, let's just make a movie."
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