One's ability to communicate a story visually, honestly, is a bridge of communication that transcends language because the true mark of a good film is that you can turn the sound off and watch it and have some understanding of what you're seeing.
I watch a lot of crime shows. The head investigator always said to the crime solver, "What do you say?" And inevitably the other has to say something like, "Well I'm thinking he was shot in the neck with a certain gun and he seemed to be running." The solver has to picture what he's seeing first, and then express his own observations. The writer does the same.
Once you've seen certain things, you can't un-see them, and seeing nothing is as political an act as seeing something.
For me, I believe that just seeing women be strong and tough is not answering the question of what a female hero looks like. Women have their own set of skills that are worth exploring and seeing on screen.
It's always good to have your fan base and to continue to do what you love to do and making a living and seeing the people and travel and do everything, it's always a great thing for me.
If the dominant political expression that we're seeing right now is of nostalgia and we know that nostalgia won't really work out, what happens is, we become depressed as individuals and societies - when we're depressed, we're much more vulnerable to be taken advantage of by demagogues and xenophobes.
People of all kinds are waking up. Even people passionate for Obama realize even that knight on a white horse isn't enough to roll back the oligarchy. I'm seeing a lot of action on the left as well that is never reported. But the Tea Party response is the most visible and the initiative they show is the most recognizable.
I think that when [Charles] Dickens met Nelly [Ternan] it unleashed this sort of carnal, anarchic, cruel energy within him, and literally after she met him he changed his whole life - he separated from [his wife] Catherine, he stopped all the children from seeing her and went on this bitter rampage.
I've always got a book in my hands, a novel in my hands. The more I get into film, the more paranoid I get that I'm going to stop seeing things.
The identity of just one thing, the "clash of civilization" view that you're a Muslim or a Hindu or a Buddhist or a Christian, I think that's such a limited way of seeing humanity, and schools have the opportunity to bring out the fact that we have hundreds of identities. We have our national identity. We have our cultural identity, linguistic identity, religious identity. Yes, cultural identity, professional identity, all kinds of ways.
The majority of human beings live their whole lives unaware that they are only seeing a limited cone of vision at any moment.
When invitation come, then I inquire just to see new place or seeing just the one sort of family, then not much interest.
It is part of what makes America great. That tradition of the free press, and also the tradition of this highly competitive market for investigative journalism. We're seeing, there's no question, that we're seeing a renaissance of that.
We are watching people who've been educated in the public school system and in colleges for the last 25 or 30 years become adults. They're getting jobs as TV commentators and journalists and writers and editors and producers in the media. And we're simply seeing the product of what they've been taught. And they so hate what they've been told is America's history and past that they want everybody to know they disagree with it and they've got nothing to do with it, and they had nothing to do with it, and don't blame them.
As somebody who's kind of a technophile, I'm interested in how traditional and digital publishing connect. Maybe ten years ago they were seen as antagonists, but now they complement each other. There's data that shows digital sales actually drive print sales. And even the ways in which pictures and words, text and image, interact - we're seeing these books that are very hard to categorize. All of that is very exciting to me.
I think people need to see on both sides. Seeing how the people in the Palestinian Territories can't move around - it's a maze now, with the wall, the road blocks and everything else. It takes you hours to get from one person's house to your job or to a friend or even to the hospital if someone's hurt. Then you go into Israel and see in Tel Aviv, where they have 12-18 bomb threats a day, which are real. It completely disrupts their life. Or Sderot where bombs are falling daily from the sky fired by Hamas militants in the Gaza Strip.
In my head, thought, I would love to do an interview where it's just sort of de-constructed - the talking points of Iraq - sort of the idea of, is this really the conversation we're having about this war? That if we don't defeat Al Qaeda in Iraq, they'll follow us home? That to support the troops means not to question that the surge could work. That, what we're really seeing in Iraq is not a terrible war, but in fact, just the media's portrayal of it.
That, what we're really seeing in Iraq is not a terrible war, but in fact, just the media's portrayal of it.
I love seeing Houston. Houston has a great style and energy.
I think I'm attracted to the mystics, to seeing needs in the world. I'm attracted to caring for people who are disenfranchised. I'm attracted to getting rid of worldly possessions.
Instruments of a trade are really fascinating to me. Things that enable you to do your job better. Rehabbing houses is really fun to me. I love taking a space and seeing the potential, gutting it, and putting it back together and I love the tools used to do that.
Johnny Storm is such an iconic character. There's a lot of personality traits and things to him that people are really going to look forward to seeing.
A beard is something that is almost like a mirror to the viewer. When someone sees you wearing a beard, they're seeing something in their own imagination because it's still me whether I'm bearded or not.
The fanatical Communist refuses to believe any unfavorable report or evidence about Russia, nor will he be disillusioned by seeing with his own eyes the cruel misery inside the Soviet promised land. It is the true believer's ability to "shut his eyes and stop his ears" to facts that do not deserve to be either seen or heard which is the source of his unequaled fortitude and constancy. He cannot be frightened by danger, nor disheartened by obstacles, nor baffled by contradictions because he denies their existence.
It is innate in our species to be cyborgian in nature. We have been in the self amplifying feedback loop with our tools since stone tools, and since the written word, and what we are seeing now is just a deepening of that. But it has always been the case. We have always done this.
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