Draw and paint the subject the way you want it to be, not as it is.
Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting?
I see a flower. It gives me a sensation of the beautiful. I wish to paint it. And as soon as I wish to paint it I see the whole subject - flower - changed. It is now an art problem to resolve.
For years I study. I look long at olive trees, all gray and silver, and watch the sunlight. Ah, yes, I am ver' lazy, but I see after I look long that it is perspective that give it this quality. Perspective, and absolute faith to the subject.
It is most difficult to acquire the, how shall I say? the 'depth' of a subject in composition in silhouette.
I try not to handle the foreign subjects with my English techniques and preconceptions, but to paint Sydney in Sydney and Tangier in Tangier.
A few of my books, over the years, have been optioned for film. The subject matter of my books, however, is not exactly conducive to Hollywood film treatment. If and when a 'big-budget' film is ever made based on one of my books, my fans and I will more than likely loathe it because it won't be true to its source. That's almost a given.
Have I ever remarked on how completely ridiculous it is to ask high school students to decide what they want to do with the rest of their lives and give them nearly no support in doing so? Support like, say, spending a day apiece watching twenty different jobs and then another week at their top three choices, with salary charts and projections and probabilities of graduating that subject given their test scores? The more so considering this is a central allocation question for the entire economy?
Composition in photography is almost as varied as composition in music or words -- melodic or atonal, safe or daring -- and can enhance subject, theme, and style. Every photograph you take involves you in some compositional decision, even if this is simply where to set up the camera or when to press the button.
Fears to look bad in front of other people, to say something wrong, to be laughed at - all those fears deprive us of half of our abilities. This is one of the main school problems. That teacher understands it, who can teach students to study without fear of the teacher, without fear of classmates, and, the most important, without fear of a subject.
Christ does not control his subjects by force, but is King of a willing people. They are, through His grace, freely devoted to His service.
We're subject to the same forces of capitalism that have built the entire American economy. Strong returns induce more capital flow, which creates more competitors, and you have to evolve and get better, or you die.
The branches of mathematics are as various as the sciences to which they belong, and each subject of physical enquiry has its appropriate mathematics. In every form of material manifestation, there is a corresponding form of human thought, so that the human mind is as wide in its range of thought as the physical universe in which it thinks.
There are many cases of these algebras which may obviously be combined into natural classes, but the consideration of this portion of the subject will be reserved to subsequent researches.
The most powerful presentations were based on legal precedents, especially Calvin's Case (1608), which, it was claimed, proved on the authority of Coke and Bacon that subjects of the King are by no means necessarily subjects of Parliament.
The rights to life, liberty and property were not meant to be subject to the vagaries of majority rule.
The more we know, the more pain we have. But because we are human beings, this must be. Otherwise we become objects rather than subjects.
It is the subjective world that rules the objective. Change the subject, and the object is bound to change; purify youreslf, and the world is bound to be purified.
What is essential to understand at this point is that until now there was no such thing as mind and matter, subject and object, form and substance. Those divisions are just dialectical inventions that came later...They are just ghosts, immortal gods of the modern mythos which appear to us to be real because we are within that mythos. But in reality they are just as much an artistic creation as the anthropomorphic gods they replaced.
It is hard to be finite upon an infinite subject, and all subjects are infinite.
Despite the hundreds of attempts, police terror and the concentration camps have proved to be more or less impossible subjects for the artist; since what happened in them was beyond the imagination, it was therefore also beyond art and all those human values on which art is traditionally based.
The whole object of science is to synthesize, and so simplify; and did we but know the uttermost of a subject we could make it singularly clear.
I liked quantum mechanics very much. The subject was hard to understand but easy to apply to a large number of interesting problems.
Coffee has assumed a social meaning that goes far beyond the simple black brew in the cup. The worldwide coffee culture is more than a culture - it is a cult. There are usenet newsgroups on the subject, along with innumerable sites on the World Wide Web, and Starbucks outlets populate every street corner, vying for space with other coffeehouses and chains. And after all is said and done, it's just the pit of a berry from an Ethiopian shrub.
The belief that value judgments are not subject, in the last analysis, to rational control, encourages the inclination to make irresponsible assertions regarding right and wrong or good and bad. One evades discussion of serious issues by the simple device of passing them off as value problems, whereas, to say the least, many of these conflicts arose out of man's very agreement regarding values.
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