Painting that does not radiate feeling is not worth looking at. The deepest-and rarest-of grown-up pleasures is true feeling.
It is the medium, or the specific configuration of the medium, that we call a work of art that brings feeling into being.
The 'pure' red of which certain abstractionists speak does not exist. Any red is rooted in blood, glass, wine, hunters' caps and a thousand other concrete phenomena. Otherwise we would have no feeling toward red and its relations.
The problems of inventing a new language are staggering. But what else can one do if one needs to express one's feeling precisely?
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