My dream concept is that I have a camera and I am trying to photograph what is essentially invisible. And every once in a while I get a glimpse of her and I grab that picture.
Spock is definitely one of my best friends. When I put on those ears, it's not like just another day. When I become Spock, that day becomes something special.
Without followers, evil cannot spread.
May I say that I have not thoroughly enjoyed serving with humans? I find their illogic and foolish emotions a constant irritant.
Logic is the beginning of wisdom, not the end.
I'm touched by the idea that when we do things that are useful and helpful - collecting these shards of spirituality - that we may be helping to bring about a healing.
You proceed from a false assumption: I have no ego to bruise.
The needs of the many outweigh the needs of the few.
Boston was a great city to grow up in, and it probably still is. We were surrounded by two very important elements: academia and the arts. I was surrounded by theater, music, dance, museums. And I learned how to sail on the Charles River. So I had a great childhood in Boston. It was wonderful.
Whatever I have given, I have gained.
After a time, you may find that having is not so pleasing a thing after all as wanting. It is not logical, but is often true.
I am not Spock. But given the choice, if I had to be someone else, I would be Spock. If someone said, "You can have the choice of being any other TV character ever played," I would choose Spock. I like him. I admire him. I respect him
For a period of time, I carried cameras with me wherever I went, and then I realized that my interest in photography was turning toward the conceptual. So I wasn't carrying around cameras shooting stuff, I was developing concepts about what I wanted to shoot. And then I'd get the camera angle and do the job
What I'm exploring right now is the subject of my own mortality, It's an area that I'm curious about, and I'm researching it to see if there's a photographic essay in it for me. If images don't start to come, I'll go to something else.
But if you're talking about fine art work, then I think you have to ask yourself some pretty deep questions about why it is you want to take pictures and what it is you want to say.
I use a computer. I don't know if that qualifies me as a techie, but I'm pretty good on the computer.
The means of many outweigh the means of the few or one.
My memory of those places is better than my pictures. That's why I get much more satisfaction out of shooting thematic work that has to do with an idea that I'm searching for, or searching to express.
That's true, because I'm a photographer now.
I became enamored with photography when I was about 13 or 14 years old. I've been at it ever since. I studied seriously in the '70s.
I have a Master's Degree in photography as a fine art, and I would call my work primarily conceptual. I don't carry cameras with me wherever I go. I get an idea of a subject matter I want to deal with and I pull out my cameras.
I think about myself as like an ocean liner that's been going full speed for a long distance, and the captain pulls the throttle back all the way to 'stop', but the ship doesn't stop immediately. It has its own momentum and it keeps on going, and I'm very flattered that people are still finding me useful.
In critical moments, men sometimes see exactly what they wish to see.
Years ago - in the 70s, for about a decade - I carried a camera every place I went. And I shot a lot of pictures that were still life and landscape, using available light.
I'm not an equipment nut. I tend to use whatever's at hand. I have several cameras, of course, but I'm not emotional about any of them
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