My dream concept is that I have a camera and I am trying to photograph what is essentially invisible. And every once in a while I get a glimpse of her and I grab that picture.
The camera is an instrument that teaches people how to see without a camera.
The instrument is not the camera but the photographer.
I remember thinking, I want to work for the camera.
I realized the exciting place was behind the camera with the producer, director and so on.
Off camera, I am not so quiet, I have a fun time, relaxed.
I spent a lot of years just learning my craft and falling down in front of the camera.
When I watch a film I get swept away. I don't really watch the camera.
Karl Malden was quite a mentor. He taught me things he had learned from being in front of a camera so long.
I loved being asked 2,000 questions a day, storyboarding every move, knowing as though by instinct exactly where the camera had to be, because it was my story.
With the fight scenes, they would take a video camera and shoot alongside the camera so we would piece it together on the computer and had an extremely rough cut of what we were doing.
And, you run also video because to fly this arm, you're relying mostly on some external camera views that may be coming from the arm itself or from the station.
I know every actor says this, but the people behind the camera are great. They always have answers.
It is unfortunate that the poor judgment shown by a small group of young actors has tarnished the reputation of every child who has ever appeared before a camera.
Your camera is the best critic there is. Critics never see as much as the camera does. It is more perceptive than the human eye.
I smuggled the camera, it was no problem to smuggle the camera there. And I took 60 photos, two films, during the time when there was no one in the control room, in the building.
I'm able to move like no one else you've ever seen in front of a camera.
In motion pictures, the actor rules. The camera served the actor.
Then again, they're not scripted and I feel it's virtually impossible to be anything but yourself when you're in front of the cameras and cooking so there is a measure of truth in what you see.
The camera's only job is to get out of the way of making photographs.
If you have what you want to say inside, and if you are crying for something that is true inside, it doesn't matter. The camera always sees it.
More and more movies have been pressured to allow reporters and TV cameras to come onto the set while you're working, and I find that a real violation
No photographer is as good as the simplest camera.
Often while traveling with a camera we arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose our hearts.
We're not cameras, we're artists.
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