A man sooner or later discovers that he is the master-gardener of his soul, the director of his life.
A story should have a beginning, a middle and an end, but not necessarily in that order.
When you're artistic director of a program, you present the music you want to present.
Whatever you want to do, do it now. There are only so many tomorrows.
I'm not interested in being a celebrity; I'm interested in being a better actor and a better director.
All of the directors I've worked with I have loved and would work with again. I have no favorites.
I have great respect for directors who know what they're doing.
In the future, everybody is going to be a director. Somebody's got to live a real life so we have something to make a movie about.
Maybe I have just a younger voice than many other directors.
Being a producer, I deal with a lot of different directors, and some of them would drive me insane with all the different histrionics, and the mystique that they carry.
In my first film, Five Corners, I played a very scary, violent crazed character, and it exposed me to a lot of directors.
Directors are not worried about casting beautiful women, but they are not sure that they want to cast great-looking men. My looks have prevented people from seeing my work objectively.
I'm a good actor in that sense for directors because I always do what they say.
Cukor is one of my favorite directors. He was a master at directing women.
When you see the films of certain young directors, you get the impression that film history begins for them around 1980.
Most actors go, I read the script and fell in love with it; I fall in love with the directors.
Some directors cast you because they trust you to do the performance - but then they forget to direct you.
So, yes, there's nothing I love more than listening to directors talk about their movies.
Twelve years on sets watching directors, I've taken a bit from everybody and rejected a lot.
A lot of directors are overbearing and tend to make you doubt your instincts.
Things have changed a great deal since the days of Mr. Mayer. The studios no longer control, as they did in those days, artists or directors or producers, as the case may be.
I am convinced that one should tell one's spiritual director if one has a great desire for Communion, for Our Lord does not come from Heaven every day to stay in a golden ciborium; He comes to find another heaven, the heaven of our soul in which He loves to dwell.
All directors are storytellers, so the motivation was to tell the story I wanted to tell. That's what I love.
Some directors expect you to do everything; write, be producer, psychiatrist. Some just want you to die in a tragic accident during the shooting so they can get the insurance.
The director is the only person who knows what the film is about.
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