Some directors hardly talk to the actors at all.
So I've had really great assistant directors for my last seven movies.
I don't even know if I can call myself a director.
Many French directors, having now realised there was no more real criticism, that the standards of the past have gone, are very offended about the quality of film criticism.
I get to play a great character while working with great actors and great directors on a great show.
I get crushes on directors because they are so brilliant.
So I moved to Europe and only came back when directors like Robert Altman would call me after they'd seen my work in Full Metal Jacket.
Directors, producers can make you look good or make you look bad.
When an actor plays a scene exactly the way a director orders, it isn't acting. It's following instructions. Anyone with the physical qualifications can do that.
If it gets to the Supreme Court, I'll have the directors of every museum in the country as expert testimony that my work is legitimate art.
And also, Sergio Leone was considered in Italy a director of category B, not a big director.
By the first week of shooting, you know exactly where your film is heading based on the psychology of your director.
As an actor we're just like workers in a factory, we provide our services to directors.
Clint Eastwood is an extraordinary director because he knows the value of a buck. He knows where it will show on the screen.
There are a few directors around who I have some excitement about spending my $7 at the theatre watching their movies.
There are a lot of directors who are knowledgeable about images, and others who aren't.
Directors never give you anything.
I am a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach.
Most directors have little lists in their heads of people they really want to work with.
I should mention that I am a member of the board of directors of Dimensional Fund Advisors.
Ambiguity in directors is a hard thing to deal with.
I like directors who come on the set and create something that's a little dangerous, difficult or unusual.
All I need to make a comedy is a park, a policeman and a pretty girl.
Jim Brooks is a very powerful director and it was a lot of intense work.
I would love to have a part opposite a great actor - like, say, Pacino or De Niro or Hoffman. And to work with a top director. That's my dream.
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