It's a weird scene. You win a few baseball games and all of a sudden you're surrounded by reporters and TV men with cameras asking you about Vietnam and race relations.
Look and think before opening the shutter. The heart and mind are the true lens of the camera.
Photograph: a picture painted by the sun without instruction in art.
The whole point of taking pictures is so that you don't have to explain things with words.
My portraits are more about me than they are about the people I photograph.
It's a heavy weight, the camera. Now we have modern and lightweight, small plastic cameras, but in the '70s they were heavy metal.
A film is never really good unless the camera is an eye in the head of a poet.
Perhaps it sounds ridiculous, but the best thing that young filmmakers should do is to get hold of a camera and some film and make a movie of any kind at all.
One should really use the camera as though tomorrow you'd be stricken blind.
If the photographer is interested in the people in front of his lens, and if he is compassionate, it's already a lot. The instrument is not the camera but the photographer.
I'm definitely a Polaroid camera girl. For me, what I'm really excited about is bringing back the artistry and the nature of Polaroid.
When I’m behind a camera I forget I exist.
I'm always aware of the camera and it feels like that's the audience.
They say the camera never lies. It lies every day.
The camera cannot lie, but it can be an accessory to untruth.
Years ago - in the 70s, for about a decade - I carried a camera every place I went. And I shot a lot of pictures that were still life and landscape, using available light.
I also know what looks good before the camera, how to move the camera, and how to get a story on the screen.
My heroes are the camera crew and the electricians. They work such long hours.
I feel more comfortable in front of a camera than anywhere else.
There's something inimical about the camera and song.
Kevin Costner has feathers in his hair and feathers in his head. The Indians should have called him 'Plays with Camera.
At the end of Requiem all I wanted to do was get a DV camera and just do a small film. But then the hunger comes back.
I'm not in front of the camera, they are. I encourage them; I build up as much of their confidence and ego as possible. They've got to take control; I can't act it out.
If this validates anything, it's that learning how to bunt and hit-and-run and turning two is more important than knowing where to find the little red light on the dugout camera.
I was instructed by people in higher rank to stand there and hold this leash and look at the camera. We were doing what we were told.
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