Good writers are those who keep the language efficient. That is to say, keep it accurate, keep it clear.
What matters most is not the idea, but the capacity to believe in it completely.
Rhythm must have meaning.
The serious artist must be as open as nature. Nature does not give all of herself in a paragraph. She is rugged and not set apart into discreet categories.
The curse of me and my nation is that we always think things can be bettered by immediate action of some sort, any sort rather than no sort.
Properly, we should read for power.
Rhythm is form cut into time.
A general loathing of a gang or sect usually has some sound basis in instinct.
Speak against unconscious oppression, Speak against the tyranny of the unimaginative, Speak against bonds.
There is no reason why the same man should like the same books at eighteen and at forty-eight
Glance is the enemy of vision.
But the one thing you should. not do is to suppose that when something is wrong with the arts, it is wrong with the arts ONLY.
It would be about as easy for an American to become a Chinaman or a Hindoo as for him to acquire an Englishness or a Frenchness or a European-ness that is more than half skin deep.
The real meditation is ... the meditation on one's identity. Ah, voilà une chose!! You try it. You try finding out why you're you and not somebody else. And who in the blazes are you anyhow? Ah, voilà une chose!
Technique is the test of sincerity.
Christ can very well stand as an heroic figure. The hero need not be of wisdom all compounded. Also he is not wholly to blame for the religion that's been foisted on to him.
And the good writer chooses his words for their 'meaning', but that meaning is not a a set, cut-off thing like the move of knight or pawn on a chess-board. It comes up with roots, with associations, with how and where the word is familiarly used, or where it has been used brilliantly or memorably.
One discards rhyme, not because one is incapable of rhyming neat, fleet, sweet, meet, treat, eat, feet but because there are certain emotions or energies which are nor represented by the over-familiar devices or patterns.
The primary pigment of poetry is the IMAGE.
I desired my dust to be mingled with yours Forever and forever and forever.
Seems fairly clear that you fix a breed by LIMITING the amount of alien infiltration. You make a race by homogeneity and by avoiding INbreeding.... No argument has ever been sprouted against it. You like it in dogs and horses.
Come, let us pity those who are better off than we are. Come, my friend, and remember that the rich have butlers and no friends, And we have friends and no butlers. (excerpt from 'The Garrett')
All great art is born of the metropolis.
Literature is news that stays news.
Poetry is a sort of inspired mathematics, which gives us equations, not for abstract figures, triangles, squares, and the like, but for the human emotions. If one has a mind which inclines to magic rather than science, one will prefer to speak of these equations as spells or incantations; it sounds more arcane, mysterious, recondite.
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