Le veritable voyage de decouverte ne consiste pas a chercher de nouveaux paysages, mais a avoir de nouveaux yeux. (The real voyage of discovery consists not in seeking new landscapes but in having new eyes.)
That abominable and sensual act called reading the newspaper, thanks to which all the misfortunes and cataclysms in the universe over the last twenty-four hours, the battles which cost the lives of fifty-thousand men, the murders, the strikes, the bankruptcies, the fires, the poisonings, the suicides, the divorces, the cruel emotions of statesmen and actors, are transformed for us, who don't even care, into a morning treat, blending in wonderfully, in a particularly exciting and tonic way, with the recommended ingestion of a few sips of cafe au lait.
... we made much less happy by the kindness of a great writer, which strictly speaking we find only in his books, than we suffer from the hostility of a woman whom we have not chosen for her intelligence, but whom we cannot stop ourselves from loving.
However, the danger in [socially unbalanced relationships] is that the subjection of the woman temporarily calms the man's jealousy but also renders it more demanding. He ends up making his mistress live like those prisoners on whom light is shone day and night in order for them to be better watched. And things always end in tragedy.
For everyone who, having no artistic sense-that is to say, no submission to subjective reality-may have the knack of reasoning about art till doomsday, especially if he be, in addition, a diplomat or financier in contact with the 'realities' of the present day, is only too ready to believe literature is an intellectual game which is destined to gradually be abandoned as time goes on.
We pack the physical outline of the creature we see with all the ideas we have already formed about him, and in the complete picture of him we compose in our minds those ideas have certainly the principal place.
When I was small child, all that belonged to conservative society was fashionable, and no republicans were welcome in the smartersalons. People living in such a milieu could imagine that the impossibility of ever inviting an "opportunist", much less a "radical", was a thing that would last forever, like gas lamps and horse-drawn omnibuses. But similar to kaleidoscopes turning from time to time, society successively places in various ways elements which were thought to be immutable and creates a new composition.
Each reader reads only what is already within himself. The book is only a sort of optical instrument which the writer offers to the reader to enable the latter to discover in himself what he would not have found but for the aid of the book.
An hour or so later he received a note from Odette. Swann had left his cigarette case at her house. "If only," she wrote, "you had also forgotten your heart! I should never have let you have it back.
The real stars of society are tired of appearing there. He who is curious to gaze at them must often migrate to another hemisphere, where they are more or less alone.
Our vanity, our passions, our spirit of imitation, our abstract intelligence, our habits have long been at work, and it is the task of art to undo this work of theirs, making us travel back in the direction from which we have come to the depths where what has really existed lies unknown within us.
I have a horror of sunsets; they're so romantic, so operatic.
A person does not...stand motionless and clear before our eyes with his merits, his defects, his plans, his intentions with regard to ourself exposed on his surface...but is a shadow which we can never succeed in penetrating...a shadow behind which we can alternately imagine, with equal justification, that there burns the flame of hatred and of love.
To achieve accurate knowledge of others, if such a thing were possible, we could only ever arrive at it through the slow and unsure recognition of our own initial optical inaccuracies. However, such knowledge is not possible: for, while our vision of others is being adjusted, they, who are not made of mere brute matter, are also changing; we think we have managed to see them more clearly, but they shift; and when we believe we have them fully in focus, it is merely our older images of them that we have clarified, but which are themselves already out of date.
L'ide e qu'on mourra est plus cruelle que mourir, mais moins que l'ide e qu'un autre est mort. The idea of dying is worse than dying itself, but less cruel than the idea that another has died.
When a belief vanishes, there survives it -- more and more vigorously so as to cloak the absence of the power, now lost to us, of imparting reality to new things -- a fetishistic attachment to the old things which it did once animate, as if it was in them and not in ourselves that the divine spark resided, and as if our present incredulity had a contingent cause -- the death of the gods.
In the sort of screen dappled with different states of mind which my consciousness would simultaneously unfold while I read, and which ranged from the aspirations hidden deepest within me to the completely exterior vision of the horizon which I had, at the bottom of the garden, before my eyes, what was first in me, innermost, the constantly moving handle that controlled the rest, was my belief in the philosophical richness and beauty of the book I was reading, and my desire to appropriate them for myself, whatever that book might be.
At a certain age, we have already been struck by love; it no longer develops alone, according to its own mysteries and fateful laws while our hearts stand by startled and passive. We come to its assistanceRecognizing one of its symptoms, we recall, we bring back to life the others. Since we possess its song engraved in its totality within us, we do not need for a woman to tell us the beginning--filled with admiration inspired by beauty--to find the continuation.
No doubt very few people understand the purely subjective nature of the phenomenon that we call love, or how it creates, so to speak, a supplementary person, distinct from the person whom the world knows by the same name, a person most of whose constituent elements are derived from ourselves.
But to ask pity of our body is like discoursing in front of an octopus, for which our words can have no more meaning than the sound of the tides, and with which we should be appalled to find ourselves condemned to live.
The human plagiarism which is most difficult to avoid, for individuals... is the plagiarism of ourselves.
How can we have the courage to wish to live, how can we make a movement to preserve ourselves from death, in a world where love is provoked by a lie and consists solely in the need of having our sufferings appeased by whatever being has made us suffer?
We can only be faithful to what we remember, and we remember only what we have known.
Let a prize lower my position, if it causes me to be read; that I prefer immediately to all the honors.
That translucent alabaster of our memories.
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